A Joplin Man Writes From the Klondike

Hopeful Gold Miners Begin the Journey into the Klondike

A former Joplin resident headed to Alaska during the great Klondike Rush of the 1890s. He wrote to relatives in Fairfield, Missouri, who shared the letter with the Joplin Globe:

“I will try to write you a few lines in answer to your letter I received this morning. I will have to ask you to excuse this dirty paper, for it is all I have, and paper is hard to get in this country. My partner and I landed in Dawson City yesterday in the best of health, but we are immediately worn out.

We had an awful trip, a trip that tried one both in strength and heart. First, it required one to have a strong constitution. To give you some idea of what we went through with, I will relate a part of our trip from Glenora to Dawson City via Teslin lake. First, it cost us $400 to get 500 pounds of provisions carried from Glenora to Teslin lake, a distance of 200 miles. We had to walk, for it was impossible to get a ride.

Even women tried to walk over but failed. We had to wade streams and mud up to our knees and sleep in wet blankets at night. It took us 21 days to make the trip to Teslin lake. There we had to build a row boat and start down the river and many times my partner wanted to turn back, but I told him no, that I was determined to go through or die in the attempt, for I had long ago learned that a faint heart could conquer nothing.

Now I will give you some idea of the suffering on that trail. There were 2400 persons left Glenora and only 230 out of that number ever reached Dawson City. Many turned back broken-hearted while many lost their lives. I don’t think I am very faint-hearted but I would not come in over that trail again for all the money in Alaska.

I have seen men sit down and cry like a child when they saw that they could not stand the trip and would have to turn back.

The scenery was the grandest I have ever seen but a man could not enjoy it.

I live to get home again. I will tell you more than I can write in a month, for I know I have taken the greatest trip of my life or at least I never want to take another one like it.

We thought we were picking the best trail but instead of that we got the worst one and had to make the best of it we could.

The ground here is covered with a coat of moss about a foot thick. Under that is ice and frozen dirt. There is no level ground here. It is all mountains. It is very rich in gold and we still think we will make our fortunes before next August.  My partner is an expert miner but I rely on my own judgment. We are on a [word obscured] now for a lay in the mines. I have come here to make a stake and intend to make it. The output of the mines this spring was $22,000,000, the richest output in the history of the world.

Dawson City is a city of 20,000 people. Many are homesick and will go home, while many have no money or provisions and cannot get away, and it seems that starvation awaits them. To walk the streets of Dawson reminds one of being at a funeral. You never see a smile on anyone’s face. There are too many men here that were never away from home and they don’t know how to meet disappointments and hardships. There are lots of provisions in Dawson, but they are very high priced.

We have money and provisions enough to winter us nicely. Wages are $10 a day and board yourself. If a man is a good rustler he can make lots of money here. As this will probably be the first letter from Dawson this summer to reach your part of the outside world., I would like for you [to] tell the boys to think before they start, especially those who have never been away from home. I would not advise anyone to come to Alaska, neither would I advise them not to come. Everyone must come on his own responsibility.

I do not need nice clothes here now, for I look like the breaking up of a hard winter. Tell the young people of Fairfield that I wish them a pleasant autumn and happy winter.

I will try to get another letter out to you before the freeze comes. I send my love to you and all inquiring friends. I remain,

Yours, as ever,

Ed Ferguson.

Source: Joplin Globe

The Modern Fire Department

Courtesy of Jim Perkins, whose sharp eye caught the date error on our photograph of the 1902 Joplin Fire Department, are three photographs from the Joplin Fire Department’s past.  Below are photographs of some of the first motorized fire fighting apparatuses in the nation.  Specifically, is a photo of the Joplin Goat and two of the Webb Engine.  All three were the creations of Al Webb, who had a mechanics shop not far from the Joplin Fire Department headquarters (city hall – which these are parked in front of).    The arrival of these machines helped usher in a new age of firefighting and literally set out to pasture the fire horses they replaced.

The Joplin Goat, courtesy of Jim Perkins.

The Webb Engine, courtesy of Jim Perkins.

The Webb Engine, courtesy of Jim Perkins.

Source: The Jim Perkins Collection

S.B. Corn Returns to Joplin

After having left Joplin 35 years earlier, S.B. Corn returned to the city in 1910, amazed by the city that had replaced the small hamlet he once knew. Upon his arrival, he inquired after several old-timers, including attorneys Clark Claycroft and Leonidas “Lon” P. Cunningham. Corn was saddened to find that both men had passed away. The only men still alive in Joplin that he knew from the 1870s were D.K. Wenrich and E.B. McCollum.
 
Corn was also disappointed to find that the spot where his smelting plant once stood in East Joplin could not longer be ascertained. He did, however, find the old building that once housed the Senate saloon. Unfortunately, the reporter accompanying Corn failed to report its location.
 
At one time, Corn allegedly owned several hundreds, if not thousands of acres in the Joplin area that extended south into Newton County. Over the years he sold the land off, most of it purchased by Joplin capitalist John H. Taylor. He built his first lead smelting plant in 1870 near the village of Cornwall (now called Saginaw). He built his next smelter closer to Joplin. It used air furnance fueled by wood. As Corn described it, “Hot blast, rushing over the ore, converted it into a molten mass which drained off into kettles. From these kettles it was ladeled out into moulds, and pigs, ranging in weight from 8/0 to 100 pounds, were formed. The metal was hauled over land to Baxter [Springs], Kansas, and shipped by railroad to St. Louis.”
 
According to the reporter, “Much of the ore smelted was produced from Mr. Corn’s land in the Kansas City Bottoms and was purchased from the lessees. The story is told that the smelting company sometimes paid for one load of lead five or six times, the operators being clever enough to have the same product weighed any number of times.” When this was discovered, duplicate sales were “abolished.” Corn eventually left Joplin and headed east to Pennsylvania where he engaged in the gas and coal business, but on a return trip west felt the urge to see Joplin once more.
 
He exclaimed, “When I was in there the seventies, there was no west Joplin. This part of the city was nothing but prairie. I feel like Rip Van Winkle, and can ahrdly realize that a city could have  grown so rapidly as this one.”

Source: Joplin News Herald, 1910.

The Newberry Law

In 1889, a law commonly known as the “Newberry Law” was passed by the Missouri General Assembly and was signed into law by Governor David Francis. The man behind the law, Dr. Frank R. Newberry, was a physician and Democratic legislator from Fredericktown, Missouri. Concerned by the “moral status” of the liquor trade, Newberry came up with a law that he felt would clean up the saloons of Missouri.
 
The text of the law is as follows:
 
An ACT to prevent any dramshop-keeper from keeping or permitting to be kept in or about his dramshop certain musical instruments, any billiard, pool, or other gaming table, bowling or ten-pin alley, cards, dice, or other device for gaming or amusement.
 
A dramshop-keeper shall not keep, exhibit, use, or suffer to be kept, exhibited, or used, in his dramshop, any piano, organ or other musical instrument whatever, for the purpose of performing upon or having the same performed upon in such dramshop, nor shall he permit any sparring, boxing, wrestling or other exhibition or contest or cock fight in his dram shop; and it shall be unlawful for any dramshop-keeper to set up, keep, use, or permit to be kept or used in or about the premises of his dramshop by any other person, or run or to be run in connection with such dramshop, in any manner, or form whatever, any billiard table, pool table or other gaming table, bowling or ten-pin aley, cards, dice, or other device for gaming or playing any game of chance;

and the keeper of such dramshop shall not permit any person in or about his dramshop to play upon any such table or alley, or with cards, dice, or any gaming device of any kind. Every person violating the provisions of this act shall be guilty of a misdemeanor, and, upon conviction, shall be punished by a fine not less than ten nor more than fifty dollars, and in addition to such fine shall forfeit his license, and shall not again be allowed to obtain a license to keep a dramshop for the term of two years next thereafter.
 
Approved June 17, 1889.

 
Legal jargon aside, the Newberry Law prohibited saloon keepers from operating pool and billiard tables, card and dice games, or any other device that might be used to gamble. Even musical instruments were prohibited and the only furniture a dram shop could have were “bar fixtures and chairs.”
 
Joplin, like many cities during this time period, had more than its fair share of saloons. A bold News-Herald reporter set off to interview some of the bar owners and saloon keepers about their opinion of the new law (and no doubt imbibe a few drinks).
 
At Chester Parker’s saloon, the reporter found that Chester was out, but his employee was of the opinion that the law “would not cut any great figure” of business. Ol Boucher, who was standing outside his saloon at 518 Main Street when the reporter ambled up, felt that “the enforcement of the law would make no material difference to the saloon difference.”
 
Major John D. Mefford of the Mefford and Klotz Saloon, however, was fighting mad. He declared the law “was a gross disregard of the rights of property.” Mefford allegedly had a $1,000 invested in new billiard tables and moaned that they would be a “total loss.” To him, the law was “unjust and a further prosecution of saloon keepers.” John Ferguson of the J. Ferguson & Co. Saloon agreed he would lose money on billard tables, but was happy to see craps and other dice games go, as they “did not belong to the saloon business.” William Teets, of Teets and Company Saloon at 318 Main Street, proclaimed he had always obeyed the law and would not grumble, but noted he would have replace many of the fixtures and furniture in his business in order to be in compliance.
 
Henry Sapp, whose business was located at 214 Main Street, was furious at Newberry and the new law. The reporter had to use multiple dashes to indicate the numerous expletives that Sapp hurled at Newberry. Sapp then said of Missouri Govenor David Francis, “Dave, he promised he wouldn’t sign that —— —— bill. He slaughters the rest of us to get revenge on the —– —– —— St. Louis saloon men. Dave is trying to cater to the —- —– country element. He wants to be United States Senator, but he is a dead rabbit now, henceforth and forever.” Sapp continued on his tirade, but the reporter must have felt it unnecessary to record the rest of his statement, due to the numer of unprintable words Sapp used.
 
Incidentally, Governor Francis became the US Secretary of the Interior shortly after he left office as governor, and then later served as US Ambassador to Russia, but he never served as a U.S. Senator.
 
Sources: p. 104 Laws of Missouri, passed at the Session of the 35th General Assembly, 1889; History of Southeast Missouri by Douglass; Joplin News Herald; 1889-1890 Missouri State Gazeteer.
 
For more on Sapp, see our blog article on Honest John McCloskey.

The Murphy Mansion

In 1889, a reporter with the Joplin News Herald met with P. Monneron, architect of Patrick Murphy’s new mansion. According to Leslie Simpson’s From Lincoln Logs to To Lego Blocks: How Joplin Was Built, the house was a prime example of the Romanesque Revival style of architecture. Located at 402 Wall, the Herald reporter described the house as follows:
 
“The building will comprise cellar and two stories. The ground plan somewhat irregular in outline to conform with the artist’s design of the superstructure, is about 40×60 feet. The basement will be constructed of a 24 inch stone wall, rising above the surface sufficiently to afford ample light and ventilation to the cellar. The portion above ground will be constructed of cut stone. In the cellar will be located the furnace and boiler for heating the entire structure by steam. It will in addition furnish ample room for all other purposes.”
 
The reporter remarked that the location of the house was “the handsomest building site in the vincinity of Joplin, lying directly south of the cemetery. The tract contains forty a cres, a greater part of which is already set in trees.” The land had a small rise on which Murphy planned to build the house so that it sat a reported 21 feet above a nearby reservoir.
 
The house itself was situated so that it faced east with a carriage drive “with walks on either side and lines of shade trees flanking both.” There was a second entrance located at the north end of the property. It too would be lined with trees and passed behind the house and on to the barn. The house itself had a “wide veranda with receding angles below; a short stretch of balcony in front of the upper story and a tower reaching a height of fifty feet rising from the southeast corner.” With a total of 17 rooms, the house cost an estimated $8,000. In today’s money, with inflation taken into consideration, the house would probably cost around $200,000 to build today.

Sources: Joplin News Herald, Leslie Simpson’s From Lincoln Logs to To Lego Blocks: How Joplin Was Built.

The Joplin American

Joplin is home to Thomas Hart Benton’s gorgeous mural, “Joplin at the Turn of the Century.” It’s rare to find someone in Joplin, or even the Tri-State region, who does not know of Benton’s affiliation with Joplin. Born April 15, 1889 in Neosho, Missouri, he spent his youth in Southwest Missouri. As a young man in his late teens, he arrived in Joplin and soon found work as a cartoonist at the Joplin American newspaper. Unfortunately for Benton, the Joplin American was a short lived enterprise. Financed by A.H. Rogers, the founder of the Southwest Missouri Railway, the paper folded. It later moved to Ft. Smith, Arkansas, where it continued on under a different name.

 Although his motives are unclear, Rogers, a Republican, most likely wanted to create a paper to counter his Democratic rival, Gilbert Barbee, who controlled the Joplin Globe. The two were political and business foes until Rogers quietly purchased the Joplin Globe out from under Barbee’s in 1910, silencing his rival for a short time. Barbee, never one to rest on his laurels, tried to launch a second paper after he lost the Globe. His second paper, the Joplin Morning Tribune, ran from 1911-1913, and often made sharp jabs at Rogers and the Globe.

However, the heyday of Barbee’s political and journalistic power was over. The Morning Tribune was shut down and Barbee went into retirement, spending time at health resorts across the country, and only periodically returning to Joplin. Upon his death in 1924, he left a generous bequest to the citizens of Joplin.

Today the name Gilbert Barbee is little remembered, save for his time as owner of both the Joplin Globe and the House of Lords, but he may have helped spark the birth of a short-lived newspaper that employed an aspiring artist who went on to become one of Missouri’s most famous sons. Ironically, no issues of the Joplin American newspaper are known to exist, but should you know of one — let us know.

Joplin Fire Department Mea Culpa!

Thanks to the sharp eye of Jim Perkins of the Joplin Fire Department, we discovered that our post from a few weeks ago of a photo of the 1907 Joplin Fire Department was in fact the 1902 Joplin Fire Department.  Not only are we thankful to Jim for spotting this error, but he was kind enough to share with us a copy of the actual photo.  Thanks, Jim!

1902 Joplin Fire Department - from and by permission of Jim Perkins, Joplin Fire Department

The Elks’ Present Their Imperial Minstrels

A Joplin newspaper cartoon referring to the Elks' Minstrel Show.

A Joplin newspaper cartoon referring to the Elks' Minstrel Show (click to access larger version)

“Business men in blackface can be more amusing than professionals, especially when they strike a happy medium between the elite and the ridiculous.”

So began a review of the minstrel show put on by Joplin’s Elks Lodge, No. 501, in mid-January, 1909.  Since the 19th Century, the minstrel show had been a steadfast form of entertainment based upon humiliating and stereotypical depictions of African Americans, often by white men with black makeup on their face.  Generally, the performers adopted comical dialects exaggerated to effect laughter and ridicule.  Entertainment in the shows ranged from comedy skits to song and dance.

In an example of the acceptability of racism at the time in American and Joplin society, the minstrel show was produced by the Elks Lodge, a social organization of Joplin’s businessmen and reputable members of the city’s society.  One advertisement for the minstrel show specifically noted the participation of Edward Zelleken, a member of one of Joplin’s most distinguished and wealthy families.

A cartoon of Prof. Edward Zelleken's anticipated black face appearance.

A cartoon of Prof. Edward Zelleken's anticipated black face appearance.

A small article that ran before the show promised an entertaining show and an opening which “should not be missed.”  Tickets, the article claimed, were going fast, but good ones could still be reserved.  An advertisement that ran near the article promised, “Ten Dollars’ Worth of Enjoyment For the Price of One.”  The “Imperial Minstrels” as the Elks called their cast performed in the Club Theater.  A follow up article the day after headlined, “Elks’ Minstrel Creates Furor Among Society” with the subtitle, “Business Men In Blackface Score Tremendous Hit.”

An advertisement for the Elks' Minstrel Show

An advertisement for the Elks' Minstrel Show (click for larger version)

The jokes in the show ranged from the plain comedic to pokes and jabs at local businessmen, like the owner of Donehoo’s pharmacy, which was located at the busy intersection of 4th and Main.  Other jokes were political in nature such as one about William Jennings Bryan recalled by a minstrel who claimed he had just stepped into an elevator in Chicago when he saw, “Mrs. William Jennings Bryan come running down the corridor waving her hand for the elevator operator to hold the car until she arrived. ‘You need not have hurried to catch the car,’ the elevator operator is said to have informed Mrs. Bryan, ‘I’d have waited for you.’  ‘Oh,’ replied the Commoner’s wife as she breathed heavily. ‘ I just wanted to show you that there was one member of the Bryan family who could keep in the running.’”

Another sign of the acceptability of the lampoon was the audience that turned out for the event.  A reporter from the Joplin Globe described them, “Society turned out in all its finery to see something rich and rare…”  Indeed, as the reporter noted, “And to a thousand, auditors giggled, laughed and te-heed until their faces ached while Joplin Lodge, No. 501. B.P.O. Elks, presented their Imperial Minstrels at the Club Theater last night.”

Source: Joplin Globe, 1909

A.J. Blackwell Strikes Again!

Drawing of A.J. "Bear Fighting" Blackwell

Drawing of A.J. "Bear Fighting" Blackwell in his later years.

In one of our previous posts, A.J. “Bear Fighting” Blackwell was mentioned. Blackwell, one of the earliest residents of Joplin, built the first opera house in Joplin. After serving a sentence for counterfeiting in the Missouri State Penitentiary, he left Missouri and founded the town of Blackwell, Oklahoma. He became a wealthy and well known figure who lived an interesting life.

According to an article from a Blackwell newspaper, Blackwell was accused of “periodical insanity and one of these spells is upon him.” For the last few days “he has been terrorizing the entire city and community with his threats, and being heavily armed continuously, it is a question as to what he might do.” Prior to his illness, he had Miss Effie Widick, a Blackwell school teacher, arrested for punishing one of his children. She was acquitted, but Blackwell was not satisfied. He traveled to Wichita, Kansas, in an attempt to have her indicted in U.S. federal court.

The news report claimed, “He once stood off a mob of negro haters with a Winchester and incurred the enmity of nearly the entire citizenship, which finally succeeded in ridding the town of the black race.”

Blackwell proclaimed that he was a member of every church in town and “has been dead twice and returned to life to warn the people to join as many churches as possible.” In the meantime, “he drives up and down the streets, hooting and yelling like an Indian, waving firearms and even defying the officers.”

Despite his insanity, Blackwell had somehow managed to invest in a coal company and direct coal to be shipped from Chelsea, Indian Territory to Blackwell.

When he died in 1903, his obituary failed to mention his bouts of “insanity.”

Source: Joplin News Herald

Globe Overview of the Union Depot

Joplin Union Depot

East Facade of Joplin Union Depot

This last weekend, the Joplin Globe offered up a summary of the present situation with the Union Depot.  In addition, the Globe put together a short timeline of events for the Depot from its opening over 99 years ago.

The summary covers in brief the past attempts at restoring the Union Depot, including an offer in 1973 by the Kansas City Southern to deed the Depot to the city.  That proposal was nixed by the then head of the Joplin Museum Complex, Everett Richie.  The excuse given then was the danger that the active train tracks posed to the museum and its collection should it be moved to the location.

The Globe managed to speak briefly with Nancy Allman, who was the lead in the effort to restore the Union Depot in the 1980’s.  Allman did confirm that she still had in her possession some items from the Union Depot.  This is good news for the restoration of the Union Depot.  Even if Ms. Allman may not want to donate or sell the items, perhaps she would at least allow the restorers to photograph and measure the items for reproduction purposes.

Joplin Union Depot

West Facade of Joplin Union Depot

The article also brings us via Allen Shirley the 3 Key Issues for the JMC about a move to the Union Depot.  Let’s look at them one by one:

1) The Union Depot’s structural integrity.

Reports indicate that the work done in the prior restoration attempt went along way toward reinforcing and repairing structural integrity issues.  In the walk through by the Joplin Globe with David Glenn, who was part of the restoration team from the 1980’s, Glenn comments on the strength of the building.

2) There’s less than 400 sq foot than the current museum.

As we’ve pointed out in previous coverage of the Union Depot question, there are two measurements being offered of the Union Depot’s space; one from the JMC and company, and one from Mark Rohr.  It really boils down to the basement.  One side counts it and the other side doesn’t.  The basement also brings about another issue, as we’ll address below.  There’s no reason more space cannot be constructed to supplement the Union Depot and done so in a simple, elegant and complimentary manner to the Union Depot.  Here’s an off the cuff idea: enclose the concourse extending from the depot with glass, creating a beautiful glass hallway, and have the end of the concourse connect to a secondary building.  There’s plenty of space available for such an addition.  None the less, an addition may not even be necessary.

3) Environmental Control

Appropriately, the JMC Board is concerned about the presence of environmental control in the Union Depot.  It seems that it would be a matter a fact element of any renovation of the Depot, particularly a restoration performed with a archival purpose in mind.  In many ways, as photographs will often attest, the Depot is a blank canvas and now is the time where such improvements can be made and without the cost of tearing out existing material to replace it.  (That former material has already been torn out!)   Again the basement and the standing water.  Here’s a simple answer: pump any water out, replace any water damage and effectively seal the basement walls.  We’re not contractors here at Historic Joplin, but this solution does not seem to be one of great complication.

Mr. Shirley claims that the JMC board has not taken a position about the proposed move.  We would disagree.  No member of the board, or JMC Director Brad Belk, have not once said anything positive about the idea.  In the summary, Mr. Shirley does note they support the preservation of the Depot, as we would hope of those who are charged with protecting the city’s history.  However, supporting the saving of the Depot does by no means equate to supporting the idea of moving the museum.  Fearfully, three members of the City Council appear ready to allow the Board to do as it wishes, which means doing absolutely nothing.  The Board wanted Memorial Hall for a new home, turned down the offer by the Gryphon Building, and will have to be dragged into the Union Depot.

This is not the time for inaction.  Joplin has embarked on a push of re-establishing itself as a city of beautiful buildings and one engaged not only with its past, but with an active present focused on its increasingly vibrant downtown.  The relocation of the museum to the Union Depot would not only give more people a reason to visit downtown, but its better accessibility than the remote location by Schifferdecker Park would mean more would take the time to learn about the city’s glorious past.

The leadership of the city has proven itself innovative and bold by the successful and ongoing restoration downtown, we hope that the leadership does not back down at this important juncture.  The City holds the purse strings of the JMC and if the Board of the JMC is not willing to play a part in the revitalization and the new beginning of Joplin in the 21st century, the City should tighten those strings.  The Board of the JMC needs to accept that they will not always get what they want and assume a much more forward thinking position, lest they end up as dust covered exhibits they profess to preserve.

HJ Joplin Union Depot

Be Bold, Joplin!