Take Me Out to Lakeside

Via Wikipedia.

Via Wikipedia.

African American ragtime musician James Scott, who spent his formative years in Carthage, Missouri, entertained crowds at Lakeside Park, just outside Joplin. In 1914, Scott wrote music for a song he called, “Take Me Out to Lakeside.” The words are by Ida Miller.

Take Me Out to Lakeside (1914)

First verse:

Take me to “Lake-Side” that beautiful place,
Where your life seems complete,
Orchestras playing and everyone swaying gives you such a treat,
Dancing and glancing with smiles so entrancing is all you can see
The Waltz hesitation is all the sensation,
Oh come and dance with me.

Refrain:

Take me out to Lakeside Sunday afternoon,
Where the band is playing, Flowers all in bloom,
Boys and girls together happy as a lark,
Take me out to “Lake-Side”
Beautiful Lake-side Park, park.

Second verse:

When twilight draws near and the whole world seems drear,
And you’ve no place to go,
You may sit guessing but no thought expressing The pleasures you love so,
You think of your only while you feel so lonely it all
Seems a dream
So while you are pining there comes a reminding,
A glorious thought it seems.

Refrain:

Take me out to Lakeside Sunday afternoon,
Where the band is playing, Flowers all in bloom,
Boys and girls together happy as a lark,
Take me out to “Lake-Side”
Beautiful Lake-side Park, park.

To listen to a sample of the song, visit this link at Pandora Radio.

Kansas City Bottoms: Part II

A portion of the Kansas City Bottoms was leveled to make way for the new Union Depot station (left side of photo).

As time passed and mining operations relocated across the area, the Kansas City Bottoms was transformed as “a few factories and mills” dotted the valley and its hillsides. Although there was talk that the Kansas City Southern Railway would build rail shops in the bottoms, the project never came to fruition.

This led to an effort to “more or less isolate the city’s riff-raff of humanity there. It became a sort of ‘red-light’ district, and flourished with gayety, containing gambling houses, saloons, dance halls, and rooming houses.” As Joplin continued to grow, the area grew more desolate, and “buildings were moved, burned, or fell in ruins.” The Kansas City Bottoms soon became a sprawling slum that doubled as a dumping ground. At the turn of the century, an angry mob descended upon the Bottoms and chased out a number of prostitutes who had taken up residence there. Soon the area became populated with African Americans, some of whom had been chased out of Pierce City in 1901, after a brutal race riot ended in the expulsion of Pierce City’s black residents.

A lifelong Joplin resident shared her memories of the Bottoms in a letter to the Joplin Globe:

“Where the [Union Depot] station is now and scattered throughout the valley were shanties occupied mostly by colored folk. This place was known as the Kansas City Bottoms. There was a footbridge over Joplin Creek near where the Union Station is now. Rather than walk around to Broadway, for four years I walked through the Bottoms and came onto Main Street at about A Street on my way to high school.”

“A girl or woman did not dare to cross the Bottoms without an escort. It was not even safe for a man,” the woman continued, “My boyfriend who later became my husband lived on the West side and he never crossed without a weapon. There were often holdups and sometimes murder in the Bottoms. There was no Broadway viaduct then.”

One former Joplin police officer claimed that “policemen were virtually given orders ‘not to bring any of the ‘bottomites’ out.’” This reportedly meant that a police officer should “shoot at the least provocation and shoot to kill.”

Burt Brannon, Joplin Police Officer

Officer Bert Brannon

Charles Sweeney, Joplin Police Officer

Charles Sweeney

These reputed orders presumably came after the death of Officers James Sweeney and Bert Brannon in 1901 after they were shot and mortally wounded after arresting a gang of vagrants in the Kansas City Southern rail yard and the death of Officer Theodore Leslie who was killed in 1903 while searching the rail yard for a burglary suspect. In 1909, work began on the Third Street viaduct, which spanned the Bottoms to connect East and West Joplin. (To Learn more about the Third Street Viaduct – click here) A year later, work began on the Joplin Union Depot, and a portion of the Kansas City Bottoms was leveled to make way for the expanded railyards and station. (To learn more about the leveling of the Bottoms for the Depot, click here)

By 1915, the condition of the Kansas City Bottoms was as close to a living hell as one could find in Joplin. One account painted a bleak picture of life in the bottoms: “Squatters, trash and garbage haulers, tramps and other transients” moved into the bottoms, living in shacks, shanties, broken down wagons, and tents. Men, women, and children lived in abject poverty. Few outsiders dared enter the bottoms as it had a reputation as, “a most dangerous place. It hardly was safe for a person to enter in daylight. After dark, entry into the hollow by an outsider was practically synonymous with suicide.”

That same year, however, the Kansas City Bottoms would experience a significant transformation for the first time since Sergeant first struck lead.

The Kansas City Bottoms: Part I

Landreth Park Joplin MIssouri
The north end of Joplin’s Main Street is quiet today. The Joplin Union Depot sits abandoned, visited only by aspiring graffiti artists and the historically curious, hoping to catch a glimpse of Joplin’s glory days in the weathered, intricate designs of architect Louis Curtiss. With the arrival of winter, Landreth Park is empty, save for the urban wildlife that call it home. Joplin Creek, the one constant in the ever changing landscape over the last one hundred years, remains. If only its silent waters could tell stories of the contentious rivalry between East and West Joplin, the mining operations that clouded its waters, and of the numerous families who lived in dire poverty along its banks in what was once known as the “Kansas City Bottoms.”

The name Kansas City Bottoms, according to one source, was derived from the Kansas City Southern Railway. Dolph Shaner, however, argued that the name “Kansas City Bottoms” came about because, “Kansas City and Independence, Missouri, capitalists, headed by John H. Taylor, purchased 120 acres of land extending from Fourth Street north three-fourths of a mile along Joplin Creek. The land being owned by Kansas City men, the valley at that point was dubbed ‘Kansas City Bottoms.’”

Attorney Clark Claycroft was one of Joplin’s earliest residents. Toward the end of his life he recalled that, “[John B.] Sergeant made the first big strike of lead ore in Kansas City bottoms, near the mouth of what now is known as Sunshine Hollow.” Veteran well driller Perry Crossman provided more detail, stating in an interview, “Late in the fall of 1871, I made a contract with John H. Taylor of the Joplin Mining and Smelting Company to drill a hole in a pump shaft in the Kansas City Bottoms. Charles Glover, now with the Joplin Globe, drew up the contract for Taylor and myself. That was the first hole ever put down to make a test for ore, and it ended in limestone.”

The area quickly became a magnet for men who sought to make a fortune in the lead and zinc industry. The Joplin Creek valley became inundated with hundreds of would-be miners who lived in tents, constructed crude shanties, or slept out in the open to stay close to their prospective strike. Joplin resident Dolph Shaner remarked that where Landreth Park is now located, “there once existed many, many mine dumps; all are now filled, leveled, and covered with grass.”

As mining operations left the Joplin Creek valley and spread out across the region in search of rich lead and zinc deposits, one might think that story of the Bottoms was over. It was not. As the population grew, two rival entities, East and West Joplin, sprang into existence. The bottoms connected the main streets of East and West Joplin and soon turned into a battleground between young men who fought on behalf of their town’s honor. We will leave it to the reader to pick up a copy of Shaner’s book to read in detail about the fistfights and rivalries that took place.

Stay tuned for Part II of the Kansas City Bottoms…

The Architectural Legacy of Garstang & Rea: The B.B. Johnson House of Joplin

The B.B. Johnson House

Today’s featured Garstang & Rea house is the B.B. Johnson residence located at 417 N. Byers Avenue. Although the house still exists today, the paint color has changed, and there is much more vegetation surrounding it. We are happy to see that yet another Garstang & Rea creation has survived.

The B.B. Johnson House present day.

(Special thanks to Leslie Simpson, Director of the Post-Memorial Art Reference Library, for tracking down the B.B. Johnson house today!)

House of Lords

This photograph comes to Historic Joplin courtesy the great-grandson of Joseph “Joe” Dorizzi. Dorizzi is the man standing in the center of the photo flanked by two unknown men. He was one of the last to own the famed House of Lords. Notice the large, vertical House of Lords Budweiser sign – it replaced a smaller sign that hung outside the establishment years earlier. Although we’ve come to know the Budweiser Clydesdales and even the Budweiser frogs, you’ll see that in this case it’s a Budweiser mule team in front of the House of Lords. Perhaps it was a tip of the hat to the noble Missouri mule. We thank the owner of the photo for sharing this incredible treasure.

Alfred W. Rea: An Architect’s Portfolio

Unity Baptist Church (African-American), Joplin Missouri.

One of the joys of researching the past is serendipitously stumbling across a wonderful discovery, but sometimes a wonderful discovery finds you. We are excited to announce that a relative of preeminent Joplin architect Alfred W. Rea contacted us last week and informed us that he will generously share photographs of roughly seventy-six different buildings that Rea and his partner, Charles E. Garstang, designed during their time in Joplin.

Alfred Willemin Rea was born on August 12, 1869, in Decatur, Illinois. He attended the University of Illinois and graduated with a B.A. in 1893. Rea worked as a draftsman in several architectural firms, including Wigg & Mahurin (Ft. Wayne, Indiana); J.W. Ross (Davenport, Iowa); Reeves & Baillie (Peoria and Decatur, Illinois). He later partnered with Charles E. Garstang and established Garstang & Rea in Joplin in 1901. The firm later relocated to Los Angeles, California, where Garstang and Rea continued to design buildings until their retirement in the 1940s.

A.H. Rogers Building

The whereabouts of the papers and portfolio of Garstang are currently unknown, but Rea’s portfolio is comprehensive. Fortunately, because Rea labelled the majority of the photographs in his portfolio, we believe that the photos and their labels will provide the most complete list of Garstang & Rea’s work known to date. The firm, it turns out, not only designed buildings in Joplin, but designed buildings in Monett and Nevada, Missouri, and Winfield, Kansas.

We will work to place these photos online so that others can enjoy them and celebrate the work of two of Joplin’s finest architects. The images will appear on Historic Joplin and on Flickr with the permission of the owner.

Joplin Tobacco Company building

If you have photos you would like to share with Historic Joplin, let us know: HistoricJoplin@gmail.com

A History of the Joplin Union Depot – Part III

Catch up on the history of the Joplin Depot’s origins with part one here and part two here.

The first view of the Union Depot which greeted the readers of the Joplin News Herald on March 1st

After the exciting publication of an architect’s drawing of the Union Depot on the first day of March, 1910, a debate may have erupted over the validity of the print.  The News Heraldon the 28th of March, in one of the first updates on the depot since the beginning of the month, confirmed the accuracy with the arrival of the official plans and specifications to the city engineer’s office.  The city engineer, J.B. Hodgdon, passed on the plans to several local contractor firms.  It was the hope that a local firm would offer a satisfactory bid, such as Dieter and Wenzel, located in nearby Carthage and a company responsible for raising many of Joplin’s most well known buildings.  Notably, the city planned to divide the construction process between building the depot structure and grading the land about the building.  The land in question, the Kansas City Bottoms, located between Main Street and the Kansas City Southern tracks and between Joplin Creek and Broadway, was to be leveled.

Two days later, the papers announced the appointment of E.F. Cameron as the local attorney for the Joplin Union Depot.  The announcement was accompanied by a firm statement that construction would start April 1.  In the meanwhile, the parties behind the depot had finalized the acquisition of properties within the desired realm of the depot and exploratory drilling had been done to ensure that no abandoned mines or “drifts” threatened to destabilize the foundation of the future depot.  Indeed, the drilling had discovered solid limestone on average fifteen to twenty feet below the surface, and in some cases, even closer.  Already, some of the uneven parts of the Kansas City Bottoms had been filled by the railroads to allow future track to be on level with existing rails.

The site of the depot had once been the center of many mining attempts like the one above in the early days of Joplin, leaving many abandoned mines behind.

Six bids were submitted for the excavation, which required the removal of approximately 40,000 yards of dirt, and the Joplin firm Jennings & Jenkins was awarded the contract.   “I will begin work,” declared W. F. Jenkins on Saturday, April 2, 1910, “with a full crew on the excavation on Monday.”  Nine bids, two from Joplin area firms, were submitted for the construction of the depot structure.  However, the selection of the firm was considered more important than excavation, and demanded a meeting of the chief engineers of the Missouri, Kansas & Texas, the Santa Fe, and the Missouri and Northern Arkansas, railroads.  The architect, Louis Curtiss, available at the time of the bid announcement, promised that Joplin’s depot would be the most beautiful in construction, the most complete and convenient of any depot of the size in the United States.  Indeed, Curtis noted, specifications called for “handsome interior furnishings and the most substantial exterior known.”

On the following Monday morning, a small force of men with three to four teams of horses arrived and began the work of excavation.  The number of overall men expected to work varied from as little as fifty to four times that number, with as many four times the starting number of teams of horses.  Afterward, it was reported that before rain brought an end to the day’s labor that fifty men with fifteen teams had been brought to bear against the earth.

The delay in selecting a contractor to build the depot structure was not critical, as all reports stated that such construction could not begin until the grading was complete.  It was to be no small feat of work transforming the hilly area that offered a home to Joplin Creek into a suitable home for the new Joplin Depot.  In contrast to the 40,000 yards of dirt discussed earlier, Jennings & Jenkins instead claimed they only had to remove 30,000 yards of soil.  However, 135,000 yards of soil was required as fill, the present earth apparently being inappropriate for the task, and all of it to be hauled in by train.

The News Heraldsummarized the task ahead, “The hill along Broadway and Main street will be cut down and the dirt moved back onto the lower grounds.  These hills will be cut down to a level of the grades of the streets and the fill along the Kansas City Southern railroad will be made on level with the tracks…The hill north of the Old Joplin creek bed will also be cut down and the dirt hauled into the low places.”  Hills were not the only landmarks that needed cutting down, the paper referred almost in afterthought to, “Several buildings will have to be removed from the grounds during the next few days and a force of men will be set to work tearing them away and burning the rubbish.”  The several buildings were actually homes to “persons who have occupied houses on the site for many years who repeatedly within the past month have been ordered to move.”  No tolerance was given as the homes were to be destroyed as the excavation work approached them, not  even “if the occupants have not sought other quarters.”  The transformation of the Kansas City Bottoms was expected to take approximately two months.

Little of the old Kansas City Bottoms remains as it once was before the depot.

Only a few days after the start of the work, the excavators made a gruesome discovery three feet into the soil of the hill located along Broadway.  The Daily Globe reported, “The bones found are crumbled with age, and, although apparently whole when unearthed, fall to pieces when picked up; Their sizes are thought too large for small animals and too small for horses or cows, or other of the larger domestic beasts.”  Work came to a temporary stop as local residents were quizzed for knowledge of any remembered burials or graveyards.  None were recalled.  One such resident, who claimed to have prospected “all over the Kansas City Bottoms when a young man” had never heard of any burials.

The old prospector reminisced, “They might have been buried all right,” said he, “but it was not with the knowledge of the authorities or a permit from the coroner.  There was a killing down here almost every day in them times, and I suppose they had to bury the victims some way.”  The reporter of the Daily Globe noted that the majority of murders in the Bottoms were likely never reported, and the speculation that the excavators had discovered one unfortunate victim was very likely, an opinion shared by the Joplin police called to the scene.  However, the contractors “scoffed” at the idea, most likely out of fear of losing workers who, “showed unmistakable signs of nervousness when the discovery was made…Several declared they would not work if they were convinced they were digging up bones of human beings.”  Human remains or not, the excavation continued.

Another problem arose at approximately the same time as the excavators made their unpleasant discovery.  Nine bids had been submitted for the contract to build the depot structure and to the consternation of the railroads involved, all were considered too high.  The possibility of revising Curtiss’ design for the depot and re-opening the bidding process was proposed on April 8th.  Five days later, the decision was made to do so and bidding was opened again until the 18th.  The new bids were based on changes to the original design, contractor Fred Dieter reported, changes that “will not in any way effect the exterior nor the general plans for the building,” but rather consisted of, “a few substitutions in material.”

By the time the bidding process was closed, only six bids had been made, down three from the previous nine.  A. F. Rust, the chief engineer for the Kansas City Southern, promised that the new bids all appeared to be a much more satisfactory in estimated costs.  A week, the chief engineer promised, was as long as it would take for the winning bid to be selected.  Nearly two weeks later, on April 30th, an authoritative source promised that the winning bid would be announced in two days, in part to coincide with a meeting of the chief engineers of the four railroads which backed the union depot company.  By May 12th, James Edson, the president of the Kansas City Southern on a long distance telephone interview with a News Herald reporter, had to dismiss rumors that the depot was to be relocated to a 15th Street location.  In the same call, Edson declared that a meeting of the board of directors of the Joplin Depot Company in the later half of May would choose the winning contract.  Meanwhile, excavation continued with dynamite used to reduce a steep hill east of Main Street.
Joplin Union Depot
Finally, on June 5, a Sunday morning, it was announced that the Manhattan Construction Company of New York, with a branch office in Fort Smith, Arkansas, had been awarded the contract at an initial cost of $60,000.  Construction would begin, stated a representative for the company, no later than June 15.  The grading by the excavators was virtually completed, but the foundation of the building had not yet been begun.  The two city papers offered slightly different reports on the design of the building, the Herald claimed, “The trimmings will probably be of Carthage stone, according to the original plans,” along with brick and concrete, and the Daily Globe in turn stated, “The contract calls for the erection of a modern building, of reinforced concrete construction.”

Six days later, Rust visited the site of the future depot and promised again that the depot would be completed by the end of the year.  The chief engineer noted that already enough steel for four miles of track was at the site and that, “We intend to push operations as fast as possible,” and bragged, “only material of the highest grade will be put in the depot.  The station will be built with a view of accommodating Joplin when it is considerable larger than it is now.  In my opinion, and according to officers of the depot company, Joplin is one of the coming cities of the Southwest.”

By mid June, excavation work uncovered yet another discovery, zinc.  Within a week of the find, nearly a ton of the ore had been sold at a price of $23 a ton.  While the contractors considered applying the new found source of wealth toward the cost of construction, two men from the excavation crew were assigned to sort the soil. The quality of the ore was shortly considered rich enough that some of the men involved in its examination immediately organized a mining company, procured a lease to do the mining, and set upon the deposit.  The vein was found to be only a few feet beneath the soil, at least seven feet in depth, and in lieu of building a processing plant, the miners hauled away the dirt in wagons to nearby plants for processing to separate the zinc from the soil, as well any lead.  By August 4, the entrepreneurs had sold nearly $1,900 worth of lead and zinc, and were still at work at their enterprise.

A pile of processed "Jack" valued at $100,000.

The excavated area, located “near the heart of the old shallow diggings on Joplin creek” had once been the home of St. James hotel and also the “crimson lighted district.”   Old settlers, ever present to discuss such events, recalled the days when “the valley sloping off to the northeast resembled a bee hive.  Mines and miners were constantly working there.  Before many years had elapsed the ground looked like an overgrown pepper box.”  However, due to the presence of the hotel and other sordid activities, few thought to mine the area, or so the theory went.  The News Herald quipped, “If the owners of the new property do not see fit to construct their new depot they can mine.”

“Grading of site is nearly completed,” announced the Daily Globe, on June 16.  By the efforts of the excavators, the paper reported that “the hills to the north have been leveled, while many of the lower points have been filled and the surface rolled.”  Though, it took another four weeks to complete, the impact on the local geography was significant.  In addition to the annihilation of hills, the “surface of the ground has been lowered seven feet…in the higher places, and from that to two feet in the lowest parts.”  For the low parts of the depot area, fill was used to raise the surface from two to four feet.  Extreme summer heat, contractors claimed, was the culprit for the long delay in the completion of the excavation. The teams of excavators gone, the site absent of working men and horses, for a brief time was considered to possess an “absolute quiet.”

A visit to the site at the time would have revealed a number of temporary buildings built to house the materials needed to construct the depot.  The gathering of which had been ongoing for weeks.  Another significant addition, and alteration to the geography, was the culvert built to guide the waters of the Joplin creek under the Depot site.  When completed, the culvert was expected to be 631 feet long and possess a 6 foot radius.  Through it the creek named for the Methodist preacher, Harris Joplin, would eventually disappear from sight for a stretch of more than two football fields.  Nor was it the only effort to divert water, as a “great double aqueduct” was also being put into place to convey a stream from Main Street , built of concrete, it was two tubes each four feet in diameter and two hundred yards long.  When done, it was believed the aqueducts would be able to “convey a larger amount of water than has ever been seen in the little branch.”  The exit point for the aqueducts was in the area of the Kansas City southern bridge.

Off the site, at approximately the same time as excavation work was concluding, the Kansas City Southern filed a mortgage for the value of $500,000.  The mortgage was intended to secure the $500,000 in bonds that had previously been sold by the depot company to finance construction.  Nor was the Kansas City Southern the only railroad company involved with large sums of money.  The Missouri, Kansas & Texas, or Katy, Railroad was busy with the construction of a spur from its main line to reach the Depot at a cost of around $250,000.  Much of the cost had to do with traversing hollows and areas dotted with old mines and sludge ponds, which demanded the construction of bridges or the use of fill to stabilize the ground.  One such required bridge was to be located over Possum Hollow and would be a “22-panel pile trestle bridge” that would carry trains 47 feet above the floor of the ravine, and 30 feet above an existing bridge built by the Frisco Railroad.  Along with its own expense in the cost of terminals at the depot, it was estimated the Katy would ultimately spend $500,000.

While the Katy Railroad continued its investment into the depot, another railroad decided to investigate the possibility of joining the enterprise, the Frisco Railroad.  As covered earlier, the Frisco Railroad, through its interests in Joplin, had furiously attempted to stop passage of the union depot franchise by the city’s council.  However, almost two years had passed since its failed attempt and faced with a desire to expand its freight capabilities by the cheapest means necessary, the Frisco opted to further investigate the matter.  While the Frisco had a depot in Joplin, it believed that if it could direct its passenger traffic to the union depot, it could then enlarge its freight capabilities at the existing depot.  Despite reportedly being on of the largest landowners in the city of Joplin, the Frisco was having trouble parting Ralph Muir from the property he owned at the corner of 6th and Main Street, which it felt was needed were it to expand its passenger area.  The vice-president of the railroad, Carl Gray, promised a decision would be had in a couple weeks.  Ultimately, however, the Frisco did end up building a new depot, after it did finally acquired the coveted 6th Street and Main property.

The depot the Frisco later went on to built, still standing on Main Street Joplin today.

Meanwhile, as work concluded on the main excavation, on July 24, 1910, the Joplin Daily Globe, noted in a small article, far from the headlines of the front page, that the Manhattan Construction Company “Will Start Erection of Depot Tomorrow.”  Representatives of the company were to arrive on the 25th, along with a foreman, who’s task was to oversee approximately 25 men and the start of the foundation, which included the further excavation of fifty square feet for the new home of the depot’s heating apparatus.  The depot itself was finally under construction.

Dining at the Connor: 1923

Another in our “Where to Eat Should You Time Travel Back to Joplin” series brings a menu from the Connor hotel in June, 1923.  A little more accessible than the previous menu from the House of Lords, this time period marks the era when the Connor was the undisputed place to stay when visiting Joplin or passing through.  In her lobby passed all famous men and women and below are a few things they might have enjoined at the Connor’s restaurant.

 

Dining in the House of Lords

Made dinner plans yet?  If you happened to be strolling along Main Street north of Fourth and Main one hundred and twelve years ago, you might decide to find a bite to eat inside one of Joplin’s most famous (or infamous) dining places, the House of Lords.  Below are two menus from August, 1899, which undoubtedly satisfied some Joplinite’s hungry stomach. At the time, the House of Lords was operated by Louis N. Rahn, hence, “Rahn’s House of Lords.”

 

This Building Matters: Louis Curtiss’ Joplin Legacy

In the past we have written posts about the construction of Joplin’s Union Depot. Now we would like to celebrate the life and work of its architect, Louis Curtiss. Sadly, his legacy is in peril. Of the over 200 buildings and projects that Curtiss designed, only 34 remained in existence by 1991. Of the 34 buildings, 21 were in Kansas City. Joplin is incredibly fortunate to have the Union Depot among its built landscape. If you care about history, if you care about cultural memory, and if you care about historic preservation you can appreciate Curtiss and Joplin’s Union Depot.

A native of Belleville, Ontario, Canada, Curtiss arrived in Kansas City, Missouri in 1887 at the age of twenty-two. Throughout his career, Curtiss was an enigma. He never discussed his life, never married, never had children, and ordered that his personal papers be burned upon his death. Curtiss was an incredibly colorful character. He loved fast automobiles: he would often roar around the city in a Winton runabout which, at the time, reportedly topped out at an amazing 30 mph. He loved women; he cut his own hair; and claimed to have studied architecture at University of Toronto and the Ecole des Beaux-Arts in Paris, although historians have been unable to confirm this due to spotty recordkeeping.

Curtiss behind the wheel.

Curtiss briefly worked as a draftsman in the architectural firm of Adriance Van Brunt. He then left to form a partnership with Frederick C. Gunn. Together Curtiss and Gunn designed a large number of courthouses across the Midwest and South. The current courthouse for Henry County, Missouri, is a Curtiss and Gunn creation. Regrettably, the original tower on the courthouse was removed in 1969. The Curtiss and Gunn designed courthouse in Gage County, Nebraska, still has its original tower. The partners also designed courthouses in Tarrant County, Texas; Cabell County, West Virginia; and Rock Island County, Illinois (its roof dome was removed). Even more interesting, they designed St. Patrick’s Parish Catholic Church in Emerald, Kansas.

After ten years, Curtiss and Gunn went their separate ways. Curtiss traveled abroad and studied architecture, but eventually returned to Kansas City. He designed a private residence dubbed “Mineral Hall” which survives today on the campus of the Kansas City Art Institute. Curtiss designed other private residences and commercial buildings at this  time. Mineral Hall Link: http://en.wikipedia.org/wiki/Mineral_Hall Note that the doorway is Art Nouveau in style.

Curtiss’ Folly Theater (now the Standard) still stands in Kansas City after construction finished in 1900. You can read about its colorful history here.

While living in Kansas City, the young architect had the good fortune of meeting Bernard Corrigan, a fellow Canadian who was a partner in Corrigan Brothers Realty Company, and for fifteen years the two worked together on a variety of projects.

Curtiss’ first large project, the Baltimore Hotel, was commissioned by the Corrigan Brothers. The hotel was located in downtown Kansas City at the corner of 11th and Baltimore. It was later demolished in 1939. Curtiss’ next major commission was the Willis Wood Theater. Located next to the Baltimore Hotel, the two were connected by a tunnel that was nicknamed “highball alley.” The theater was destroyed by fire in 1917. One of Curtiss’ residential masterpieces, the Bernard Corrigan House, still stands today. The house is a mesmerizing blend of Prairie, Arts and Craft, and Art Nouveau features. You can view pictures here and also here, too.

Curtiss established another fruitful partnership, although it was not with an individual, but with a company: The Santa Fe Railroad. Curtiss designed depots and office buildings for the railroad company all over the United States. He subsequently began designing buildings for the Fred Harvey restaurant system. During this time, he designed the Clay County State Bank, which is now the Excelsior Springs City Museum.

As years passed, he continued to design railroad depots, hotels, and private residences. In 1910, work began on Joplin’s Union Depot, a Curtiss creation. He also designed Union Station in Wichita, Kansas, which had survived the years since its completion in 1913. Interestingly, he designed the “Studio Building” to serve as his studio. Curtiss lived in an apartment in the building which coincidentally adjoined a burlesque theater. According to one individual who was interviewed years later about Curtiss, there was a balcony entry into the theater accessible only through Curtiss’ apartment, through which he could attend performances.

Beginning in 1914, Curtiss fell upon hard times. Many of his major clients began to pass away and the demands of World War One upon American society made new construction grind to a halt. Curtiss’ architectural style fell out of favor as new and reinvigorated styles became popular. He did achieve success with his work in the Westheight Manor subdivision of Kansas City, but he never regained his pre-war popularity. One of the residences he built in Westheight Manor is the stunning Jesse Hoel home:  Historical Survey of the Westheight Manor Subdivision and  Flickr Photo of the Hoel residence.

Another Westheight Manor home Curtiss designed was that of Norman Tromanhauser.

By 1921, Curtiss ceased to produce new architectural designs. Within a few years, on June 24, 1924, he died in his studio at his drawing board at the age of fifty-four. He was buried alone in Mount Washington Cemetery

Louis Curtiss, creator of the Joplin Union Depot

 

The Joplin Union Depot matters.

This Place Matters.

 

Sources: Stalking Louis Curtiss by Wilda Sandy and Larry K. Hancks, Kansas City Public Library, Others.