To Build A Railroad: Photos from the Katy Line’s Construction to the Union Depot.

As part of our recent discovery of a photograph of the Joplin Union Depot under construction, we also uncovered photographs of the construction of the new Missouri-Kansas-Texas (“Katy”) railroad line by the Walsh-List-Gifford Construction Company. Once again, we are happy and proud to share a few glimpses of Joplin’s history that we believed was otherwise left to the imagination to envision. To learn some about the men featured in the photographs below and the life they lived, just read our earlier entry here about life in a railroad camp.

First, we have a photograph of a steam engine with the name of the company painted along the side of the accompanying coal car. The fellow resting on the front of the engine is one of our favorite elements of the photograph.

Click on the photo to find larger versions.

Next, we have a photograph of the railroad building at work.  Here, the company appears to be building up an earthen support to the trestle bridge that the line is built upon.

Click on the image to see a larger version.

Finally, our favorite photograph shows some of the men at work (or spectating) on the side of the line while a steam engine puffs its way toward the photographer.

To view a larger version of the photograph, just click on the image.

 

 

Joplin Union Depot: Under Construction!

For historians, it is a labor of love to research and investigate topics of interest. Often times, in the course of such research, one is repeatedly faced with missing pieces and the fear that some things are forever lost to the ages. In the course of writing our five part history of the Union Depot, we exhausted countless resources trying to find as many images of the depot in its earliest stages of being built. Our most successful find was the image below:

The depot nearing completion in March, 1911.

It was the best we believed that existed of Joplin’s beautiful depot under construction. That is, until now. It is with great pride and excitement that we unveil and share with you a newly discovered photo of the depot in the process of being built.

The Joplin Union Depot under construction sometime in the early months of 1911. Click on image to view larger sizes.

By the appearance and state of completion of the depot and the background trees, we estimate that this photograph was taken sometime in early 1911, quite possibly after the one we posted previously. The photograph was taken from Main Street or just off of Main Street. Of particular note is that the exterior finishes on the building are incomplete, such as the architectural touches on the south end of the building, the lack of glass windows and the white exterior is in the process of being added. In the background, you can spot Eugene Field School (since demolished) sitting as the massive building on a hill. Regretfully, we know little about the photographer, other than he may have worked for a railroad and lived in Oklahoma.

If you still have not read our five part history of the depot, you can find it at the following links: Part I, Part II, Part III, Part IV, and Part V.

Also, watch for more photographs associated with the construction of the Union Depot, which while not of the depot itself, are still quite fascinating and depict a previously discussed post on our site!

Current Prospects for the Union Depot

Joplin Union Depot

A hotly debated issue silenced by the tornado of 2011, the restoration of Joplin’s Union Depot has quietly started to filter back into the conversation of the city’s future.  While the previous discussion was focused on turning the depot into a new home for the Joplin Museum Complex, an idea that the governing boards of the JMC were reluctantly being dragged toward accepting, the new round of talks has removed the JMC from the equation.  SPARK is the word now, “Stimulating Progress through Arts, Recreation and Knowledge of the Past,” which is part of the current plan by the city and Wallace Bajjali Development Partners to turn north downtown Joplin into a center for arts and recreation.

As recent articles in the Globe have stated, the new plan for the Union Depot is to renovate it as a home for restaurants, not for the museum.  In the current budget of the Master Plan, the city voted in late December, 2012, for the creation of a TIF district which would pay for some of the redevelopment projects,  to set aside “$68 million for a performing and visual arts center and Union Depot restoration…”   If you were wondering about the JMC, in the same process, money was planned to build a completely new museum home which would be somewhere in the vicinity of north Main Street.

Here at Historic Joplin, while we championed the move of the JMC to the depot, we are just as satisfied with this new idea so long as its implemented and one of Joplin’s most valuable architectural jewels is preserved for future generations.

To learn more about the Union Depot, read our five part history of the depot here: Part I, Part II, Part III, Part IV, and Part V.

The architectural drawing of the Depot.

A History of the Joplin Union Depot – Part V

Catch up on the previous installments of the history of the Joplin Union Depot here: Part I, Part II, Part III, and Part IV.

Despite the progress made in December of 1910, work came to a sudden stop in the first week of January 1911 due to a snap of extreme cold weather.  The approximate forty men at work on the depot building had to lay down their tools and watch the skies for better weather.  The stop was short, however, and by the end of the month work was well on its way.  1/6th of the grading was left to be completed with only an estimated 25,000 yards of dirt remaining to be used to flatten the depot yards.  Already 125,000 yards of fill dirt had been brought to the depot, mainly from cuts made by the Kansas City Southern between Joplin and Saginaw.

The hills and hollows of the Kansas City Bottoms were filled in or leveled off to create the needed flat surface for the depot's many tracks.

By the end of February, it was believed that the permanent track would soon be laid.  At the start of March, the Joplin Daily Globe offered a glowing update on the Depot and at the same time, offered insight into how much the Depot meant to the people of Joplin.  The paper elaborated on how a depot represents a city to the growing number of rail travelers, that in effect, the depot was the face of the community.  The paper went on to describe the depot nearing completion:

“Few residents of Joplin fully appreciate the magnitude of the new union passenger depot, now rapidly nearing completion at the corner of First and Main Streets. Its location at the foot of a gently sloping hill, some 100 yards from the intersection of the streets, combines with the style of its architecture to make it appear smaller than it really is.

The building is 300 feet long and 80 feet wide. These dimensions are more significant when it is remembered that 300 feet is the length of a city block….Built of reinforced concrete throughout, the depot is absolutely fireproof, and its walls are thick enough to bear the weight of several additional stories if they should be desired.

The interior of the building is provided with every convenience that has yet been devised for the benefit of the traveling public. The structure is divided into three general parts, north and south wings, each 60 feet long, and the central section, 180 feet long. The wings are of one story only, while the central part, in which will be located the ticket office, general waiting rooms and other apartments, is of two stories, with a rectangular opening in the second floor. The general arrangement of the depot is very much similar to that of the union depot in St. Louis, although the interior is more beautifully decorated than its larger counterpart.”

The article also noted the presence of more waiting rooms, lavatories, check rooms, ticket offices, and even a “great dining hall, 30 by 60 feet in extreme dimensions…”  More so the paper proudly stated, “Nowhere in the country can there be found a depot site that offers greater opportunities for artistic effort.”  The Globe wrapped up its article, “It is simply this — that when seven great railroads decide to spend a million dollars improving their facilities in a city, there must be something decidedly attractive about the city’s future…And Joplin will soon have an entirely new “face” to show strangers who ride the trains past her gates.”

At the same time, high ranking officials from the Santa Fe Railroad visited the depot site.  A vice president of the company was quoted, “I have heard so much regarding the Joplin depot that I was anxious to see it…”  The article noted that the vice-president was pleased with the depot, its progress, and its location, which would serve as a stop for the railroad on its way south to Arkansas.

The depot nearing completion in March, 1911.

The end of March raised expectations that the depot would be finished early.  The filling of yards had been practically completed and work was underway for the installation of a round house approximately 100 yards northeast of the depot.  The house would have three or four stalls, a “small affair” the Joplin News Herald noted before describing the turn table to be installed with it.  The turn table, the paper described, “will bear up the largest engine that travels on any road in the United States.”  Technologically advanced, the table would be turned by machinery, not by hand.  Inside the depot building, meanwhile, carpenters were busy with wood work that was to have a “mission finish” and, “like the rest of the building, is artistic.”

“Let the eagle scream in Joplin,” announced a member of the City’s council in April, upon a motion to hold a celebration to recognize the completion of the Depot on the Fourth of July.  In connection to the decision of the City Council, Mayor Jesse F. Osborne appointed a committee to work with the city’s Commercial Club on planning the gala.  A ball, it was believed, should be held that night inside the depot with officials from every railroad invited to attend while a celebration at Cunningham Park earlier in the day to celebrate the nation’s anniversary.  Curiously, an article on the matter refers that it was not the custom of the city, but surrounding cities, to hold such celebrations on the Fourth.

April did not pass without some mishap on the depot construction site.  The first problem arose at the moment when the construction company believed the depot building virtually finished.  It was then that they realized that either their construction or the design of the depot had failed to include space for the extremely important telegraph operators.  As a result, two rooms were quickly added to either side of the ticket offices which required, “workmen…tearing out big slices from the side of the concrete structure…”  These slices were not the last.  It was not until this moment that it was discovered that the two big doors for the large baggage room had been built on the wrong side of the depot building.  As a result, new doors had to be built into the building lest “teamsters would have been forced to risk their lives in driving over the railroad tracks at the east side of the depot.”

Hastily, doors had to be relocated from the south side of the depot to the north.

With construction otherwise subsiding, thought was finally given to the preparations of the grounds of the depot.  The churned soil, “a sea of red clay, sticky as fish glue,” would soon be transformed into flower beds and grass plots.  The excavation of the hill upon which Main Street was to the west and Broadway to the south had resulted in an area described as “great amphitheater” and an article bragged, “This land…will probably be used for a depot park…” and believed that no other depot in the country compared for its potential to be developed.

The depot otherwise constructed, the News Herald took time to praise the unique application of local materials in its building, primarily “flint and limestone tailings secured from waste piles of several Joplin zinc and lead producers.”  Described as a “fitting monument to the successful efforts of the pioneers,” the concrete was deemed as hardy as a granite wall.  The paper noted that while concrete had been used to great effect for sidewalks, curbs, retaining walls, dams, and culverts, it had never in Joplin’s history been used to such an extent in a building before the depot.  Perhaps as motivation for future use, the article offered a recipe:

“Of the 22 parts in the concrete mixture used in constructing the station, 15 parts came from the Joplin mines, the exact formula being as follows: Mine tailings, 10 parts; Chitwood sand, 5 parts; River sand, 3 parts; Portland cement, 4 parts. Chitwood sand is the term used to describe the fine tailings from the sand jigs. In the mixture of the preparation for finishing the interior, the following formula is used: Portland cement, 2 parts; Chitwood sand, 2 parts; River sand, 1 part.”

The article noted that the best tailings for the project came from mines stratified with steel blue flint.  The paper also reminded the reader of how much the Kansas City Bottoms had been transformed by the depot’s construction, “The new station is built on filled in ground in a district which was a waste of sluggish waters, dotted with dense growths of willows.  For years this tract, of which 30 acres have been taken over by the Union Depot Co., was the city’s dumping ground.  A sickly stream, carrying filth of every kind, crawled through the swamp.  The Depot Co. has changed the course of this stream so that it no longer touches the station grounds.  Hundreds of carloads of boulders and dirt have been used as filler.”  Another, later article also extolled the depot which, “occupies a strip of filled in land that was an eyesore to the community for years.  The building of the station and the filling in of the old swamp has converted a weed-grown bottom land into a beautiful valley, level as the floor of a dance hall.  All the old swamps and marshes have been filled in, the course of Joplin creek changed so that it flows on the east side instead of the west side of the Kansas City Southern tracks, and when the grounds are finally finished and planted in blue grass, flowers and trees, they will be picturesque.” The landscape was forever changed and in the opinion of the people of Joplin, for the better.

By the end of construction of the Union Depot, much of the Kansas City Bottoms had been physically erased from the landscape of Jopin.

Then later in the month of May, the 19th, the first train was switched into the yards of the Depot, a string of work cars.  Despite the presence of the cars, the Depot’s yards were not yet ready to receive passenger cars, and as officials quickly pointed out, the honor of “first train” is given to the first passenger train.  The depot building was considered virtually complete, but contractors declared that the station would not be ready for a formal opening before July 1.  The main work left to complete was the laying of permanent rails, and amazingly, still more grading work.  Amongst the five railroads a growing rivalry had emerged to have the honor of the “first train” into the depot.  A week later, the depot building itself was considered completed.  By June 3, even the windows had been washed and the floors scrubbed and prepared for use.  The woodwork had been completed and “the walls have received their last coat and the brass and iron railings fitted in position.”  Depot officials bravely declared that the station would open on June 15.  Four days before the set date, an announcement was made, “Unforeseen delays have been met in the track construction work,” stated the President of the Kansas City Southern, J.A. Edson, and that, “It would be impossible to properly complete the tracks and station before July 1.” Unsurprisingly, it was also mentioned that the depot building itself still awaited its furnishings and fixtures that were on order.  Some furnishings had arrived in the form of furniture for the lunch room, such as kitchen cabinets, tables, and a “huge gas range of the regular restaurant type.”

Regardless of the delay, fifteen officials from the various railroads behind the depot met at the Connor Hotel.  The meeting was for the purpose of discussing the various contracts between the railroads and to discuss the details of the depot’s opening.  Station appointees had been made in the previous two weeks.  Shortly thereafter, it was reaffirmed that July 1st would be the opening day of the depot.  Comically, over a week later, it was realized that the Santa Fe railroad would not have a train available to enter the depot until July 15.  Accordingly, the official opening was postponed yet again to July 20.  However, the depot would accept trains before then.  In preparation for the celebration, former Missouri Governor David R. Francis was invited to be the guest speaker. And, like the continually shifting opening day, the invitation fell through when a telegram alerted the organizers of the celebration that Governor Francis had departed from St. Louis for the summer and would not return until fall.

Meanwhile, the Depot construction had spurred construction elsewhere.  Across the street from the depot on Main Street three buildings were under various states of construction.  J.C. Jackson was the owner of one and had erected a three story building at a cost of $20,000.  It was hoped the lower two floors would be home to a restaurant and the third a hotel.  On the north side of Jackson’s site, Charles W. Edwards owned a lot and planned to build a four story building.  The excitement of new buildings was quickly to be overshadowed by an even more exciting event back across the street.

One of many ads placed by the railroads in the Joplin newspapers to alert travelers of the pending opening of the depot.

On the night of July 1, 1911, and under the “fiery salute” of “skyrockets and torpedoes,” the headlight of Missouri, Kansas & Texas railroad train No. 83 “flashed around the curve at the north end of the depot” and pulled into the Union Depot at 10:30 pm (“exactly on schedule time”).  An engineer, perhaps P.J. Nagle, responded with a tug on the steam whistle which shrilled to the cheers of over 2,500 spectators.  The Katy Railroad had secured the honor of being the first train into the union depot.  Crowds of railroad officials mingled together and shared welcomes and congratulations, while Joplinites “extended cordial greetings to the crew and passengers of the epoch-making train.”  An article conveyed the sensation of all present, “Everyone seemed to feel that he was personally concerned in the event and took a part in the celebration.”

The honor of the first tickets sold went to Mrs. A. McNabb, a wife of one of the depot telegraph operators, and then immediately after to H.A. Adams, a traveling salesman from Kanas City.  The event of the first tickets, which began approximately at 11 o’clock on Friday night, was retold a day later by the News Herald, “Both were anxious to secure the first ticket, but Dave Joseph, ticket agent, with the wisdom of old King Solomon, divided the honors by passing out the two tickets at the same instant.  He shoved one over the counter with his right hand, the other with his left.”

The day before the arrival the Depot had been a scene of organized chaos as depot employees and officials had moved into offices and set to work preparing for business.  Amongst them were most likely employees of Brown Hotel & News Company, such as F.P. Leigh, the general manager, who was in charge of running the dining room and lunch counter.  Leigh was also assisted by a “corps of pretty girls.”  Meanwhile, the formal opening was currently set for July 20, still.  The highly anticipated Fourth of July celebration had also failed to coalesce.  Officials in charge of Cunningham Park had protested the planned use of the park and the City Council immediately had surrendered.  Perhaps from unreported blow back, the park officials changed their minds, but the City Council’s chief proponent of the celebration, Councilman Phil Arnold, had resigned his place on the city’s planning committee and the idea of a Fourth of July celebration was unceremoniously set aside.

An important arrival at the Depot a week later was a new clock.  The Globe described the Chicago made timepiece: “The clock is seven feet high and will be run by compressed air, which will be made by a motor power.  It is said to be one of the finest clocks in any station in the west.”  Surprisingly, the location of the clock had yet to be decided and so the “enormous timepiece” was left crated for at least a day until the question of its location was decided.  The main furniture had arrived a week before the arrival of the first train.  A visitor to the Depot would have cast their gaze on beautiful Mission furniture described as such:

“…consignments of massive oak have already arrived and more is coming. This will be the heaviest and most attractive furniture in any depot in the Southwest…The lunch room has been furnished and is now waiting for the opening to begin work. It is fitted with an elliptical counter, at which can be seated nearly 200 persons. The table is covered with a heavy granite face, and the chairs are fitted with backs, and swing on a pivot…

In the office rooms desks of the mission style in dark oak are being placed in position…The furniture in the general waiting room is the first to attract attention. It is composed principally of heavy double settees, with high backs and heavy arms. These are also of the prevailing dark oak mission style, with the designating little double keystone which is in evidence in the architecture of the depot in all appropriate places.”

While preparations continued for the formal opening, such as the Missouri & Northern Arkansas planning special excursion trains to Joplin from as far as Seligman for the opening, other events were afoot.  One such event was the visit to the Depot of the president of the Missouri Pacific Railroad.  Dutifully impressed, the president implied that his railroad may abandon their old Joplin depot in lieu of the impressive Union Depot Station.

Finally, at 2:30 pm on July 20, 1911, a parade of Joplin’s finest began under a drizzling rain from the intersection of 20th and Main Street.  The procession was led by a vanguard of twenty mounted members of the Joplin Police Department with Joplin Police Chief Joe Myers and his assistant chief, Edward Portley at the front.  Planned to follow, though not noted in an article printed afterward, were members of Joplin’s labor unions, secret societies, and civic societies.  Among the noted was a procession of the city’s “fire automobiles” and more than thirty other automobiles set to carrying officials from the railroads.  Members of the Commercial Club were present, as were four cars with members of the South Joplin Business Men’s Club and another with officers of the Villa Heights Booster Club.

At the depot, many sought shelter from the rain inside and around the depot, Mayor Jesse Osborne and Frank L. Yale, president of the Commercial Club, made speeches.  Despite the wet summer day, Osborne spoke with enthusiasm of the depot’s construction, “The people of Joplin should congratulate themselves on securing even at this late day, a beautiful structure of this type.  It is not only a monument to the progressiveness of the railroads entering this city, but it is a striking example of the uses to which a waste product may be put…”  Yale followed Osborne and declared the depot impressive and the fulfillment of a “long felt want.”

From July 1, 1911 to November 4, 1969, the Union Depot served the city of Joplin.  Over the fifty-eight year span, it was at the depot that Joplin saw her fathers, brothers and sons depart and hopefully return from two world wars.  It was in the shade of the depot’s awnings that families bid farewell to friends and fellow family members who were departing for the wider world beyond Joplin’s city limits, and it was where they stood in eager anticipation for their return.  For a city that foresaw Joplin as a great metropolis positioned at the intersection of the Great American Plains, the Southern Ozarks, and the Southwest, it was one more proud achievement to count among its others.  It was one more step down a road to a brighter future.

In the March of 1949, the Kansas City Southern showed off its latest liner, the Southern Belle at the depot.  Just over twenty years later, it was the Southern Belle which pulled away, the final train to leave the Joplin Union Depot.  The following decades of the Twentieth Century were turbulent for the former pride of Joplin.  Only three years after its closing, the Depot’s first chance to become relevant again in the daily life of Joplin was lost when the City Council refused to renovate the building as a home to the Joplin Museum Complex in honor of the city’s 100th birthday.  Not long after, the depot was added to the National Register of Historic Places, an honor, but not a safeguard against demolition.

The depot next was passed from one speculative buyer to another, each espousing plans to put the building to use which inevitably always failed to materialize.  In the mid-1980’s, an attempt was made once again to renovate it, but it dissolved into lawsuits and accusations.  Finally, in the late 1990’s, the Department of Natural Resources bought the site.  It was not until approximately 2009 that for the first time the depot became the subject of serious discussion regarding renovation and restoration.  In 2010, City Manager, Mark Rohr, proposed a plan to use the depot as part of a north Main Street development, possibly as a new home to the Joplin Museum Complex (JMC).  Despite resistance from the boards overseeing the JMC, steps were taken toward this ultimate goal.  However, at the start of 2012, such talk has been replaced by more important and pressing matters that arose in the aftermath of May, 2011.  Until the time that they resume, the depot remains enclosed behind a chain link fence, waiting for a chance to once again become the pride of Joplin.

 

Louis Curtiss and the Politics of Architectural Reputation

Today’s post is a link to an in-depth article on the architect of the Joplin Union Depot, Louis Curtiss. The article comes from the Places: the online journal of The Design Observer Group and is written by University of Missouri Professor of Architectural History and American Art, Dr. Keith Eggener. The article offers an insightful biography of Curtiss and explores how and why Curtiss and his works, such as the Joplin Union Depot, slipped into obscurity when contemporaries later became nationally renown.

You can find the article here, “Louis Curtiss and the Politics of Architectural Reputation”.

A History of the Joplin Union Depot – Part IV

Catch up on the previous installments of a History of the Joplin Union Depot with Part 1, Part 2, and Part 3.

Joplin Union Depot

By mid-August a concrete mixer had been put to work at the site of the depot. The concrete it produced was immediately used to build piers sunk into the earth upon which the rest of the foundation and depot structure was to be supported. The workers, twenty teams in all, enjoyed unsually cool weather and as a result, progress delayed by earlier heat, pushed forward rapidly. Placed about the construction area were multiple piles of gravel, lumber and other construction material. Despite the mostly finished job of leveling the Kansas City Bottoms, the actual depot site was still undergoing a lowering of high places and a raising of low places.

Officials were optimistic over the progress being made throughout the month of August and “expressed every confidence of its [the depot] completion before midwinter.” Indeed, as smooth as the work had become, the depot was expected to be completed by the spring of 1911. All seemed to be in place, the material, and ever more men, Joplin men, the papers noted, were being hired. The laying of the corner stone was estimated to happen at the start of October.

At the same time, not far from the construction site, a Kansas City Southern engine and flat car were put to use in laying down tracks for the new rail yard. The track laying continued elsewhere with spurs built that extended to Broadway, as well to the electric railway that linked to the trolley systems of Joplin and Southwest Missouri. Another train put to work in the construction phase was made up of ten “dump cars” pulled by “the latest types of heavy locomotives.” A newspaper described the process, “Train, engines and all were put to work at once hauling dirt from the steam shovel, working southeast of town to the site of the yards.” At the yards, the soil was used to permanently flatten out the area of the tracks. As with the depot, itself, everything was progressing quickly.

The process continued into September. The location southeast of town, identified now as Saginaw, continued to supply dirt for the yards in trip after trip by the dump cars. The supplied dirt was then driven over by an engine leveler to flatten it further. The yards also demanded other sacrifices of the land, as a bluff just south of a North Main Street bridge was dynamited on a daily basis to make room for further yard space. By the 6th of September, the bluff was gone, as well numerous trees, shrubs, and odd pieces of trash, cleaned from the Bottom space between Main Street and the Kansas City Southern tracks. Thus, it was a surprise a few days later when at 8 AM on a Friday morning, the entirety of the carpentry crew, twenty-eight men in all, walked off the job.

The strike was in reaction to the failure of the contractors to hire union hod carriers. Hod carriers had the specific task of carrying supplies to bricklayers, plasterers, and other similar jobs around a construction site. Prior to the start of construction, an agreement, likely informal, had been made to use only union men on the building of the depot, itself. The carpenters, who had “quietly laid down their hammers and tools and quit the building,” were members of the Building Trades Council. Rumors were gossiped that the contractors intended to have an “open” shop at the depot site, the intention to hire non-union men, and therefore, avoid having to follow the regulations and rules that local unions demanded. The contractors, meanwhile, claimed that there were simply not enough union hod carriers available due to other construction efforts in Joplin.

A photograph of a hod carrier from the Library of Congress. These men played the important role of transporting required building materials to the craftsmen.

The head of the union’s local chapter, Albert H. Monteith, stated, “When the carpenters went to work on the depot it was their understanding that the whole job would be unionized…we went to work on this job a little over two weeks ago, well aware of the fact that some non-union labor was being used, but we were under the impression that our contentions would be met without delay and we would have as fellow workmen nothing but union men.” Monteith went on to add of the superintendent of the build, “[he] knew what action would take if he failed to take steps toward unionizing the whole job, and we gave him nearly three weeks in which to do his part, but when it became evident today that he would not recognize the union hod-carriers and other union building laborers, we quit.”

Monteith noted that union men were used at other construction sites of the Manhattan Construction Company, and if needed, they would undoubtedly strike in support of their Joplin brethren. The seriousness of the strike was great enough to stir rumors that the president of the company himself, President Looman, was on a train for Joplin to speak with the union men. If the president of the company visited Joplin, the papers failed to note his coming and going, but the strike did end approximately a week after it began. The resolution arrived when both parties came together and agreed that the conflict was in essence, a misunderstanding. The work reserved for union men would be reserved for union men, and the work done by non-union men would be done by non-union men. The clock was turned back pre-strike and all efforts once again pushed toward the completion of the depot.

A sense of urgency to complete the depot before the partnership of railroads laid the last of their tracks into the depot area became stronger as September came to a conclusion. An article published at the time looked ahead to its completion and touched upon its future beauty, “The architecture is of the mission style, and when completed the depot undoubtedly will be one of the handsomest, as well as one of the most unique structures of the kind in the country.” Flower beds and grass were to be noted improvements for the space between the depot and the nearest street. Its construction, reinforced concrete, the paper claimed, “is considered better building material than steel.” By the end of October it was hoped that the carpenters who had recently gone on strike would be at work on the interior.

Tower of Union Depot

The depot since it's construction has always had one apparent tower, featured here. It may be the two towers described were upon completion formed into one larger tower.

October was also a time of great focus on the innovative use of reinforced concrete. The work of building with the new material had been virtually completed in the basement, as well the exterior walls of the ground and second floors. 30 to 40 days, it was claimed, would be all it would take to finish the cement work at the depot. 40 days later, the focus was no longer on the cement, but two “massive towers” being erected above the depot. The work, described as, “exceedingly dangerous” involved the raising of huge frameworks of scaffolding to ensure success. The construction of the depot at that point in November 1910 involved the labor of over 300 men.

Work continued uninterrupted through November and December until bitter winter weather brought construction to a sudden halt in the first week of 1911. In addition to cold weather, that January brought the annual special edition from the Joplin News Herald, which took time to extoll the construction of the depot. “Erection of $90,000 Union Depot Transforms Topography of Dreary Sweep of Land in Kansas City Bottoms,” read the headline along with a copy of the architect’s rendering of the depot from the year before. In its braggadocio of the depot’s transformation, the article offers a glimpse of how Joplin saw the Kansas City Bottoms:

The architectural drawing of the Depot.

“Union Depot construction in Joplin has brought great change to the topographical appearance of a big acreage that for years was a dreary waste of abandoned mining gouges and slimy flat lands, the mire of the swamps growing rank with weeds and vines. One of the first steps in the grading of the union depot grounds, consisting of about 30 acres, was to change the course of Joplin Creek, an ill-smelling drainage channel, that twisted through the rank undergrowth, marking a zone of desolation through the very heart of the big tract which since has been filled in hundreds of thousands of cubic yards of earth and rock…”

“…Here, in the early days — and even later — twinkled the crimson lights of a mining camp’s tenderloin. For years and years this portion of the city was notorious, but with the coming of the union depot, every house, every shack — dilapidated on the exterior, but gorgeously furnished on the inside — every landmark that would remind one of the free and easy epoch of Joplin’s “North End” have been eradicated.”

The article also offered a description of the new area and what it meant to Joplin:

“Today the lower portion of the union depot grounds, where the station, the sheds, the turntable and the shops will be located, is as level as a checker board and as red as an orange, the fresh red clay, when viewed from a distance, resembling a soft velvet rug of mammoth dimensions. The ground slopes upward to Main street on the west and to Broadway on the south…”

“Joplin can hardly realize that the union depot is at last a reality. For years the city had dreamed of a union depot, but it seemed an endless period before the first spadeful of earth was turned. Since work started, however, progress has been swift and a big force of workmen has been employed steadily. The ring of the hammer has been constant.”

And finally, a full description of the depot’s beauty and attributes:

“ The station proper, which is of old Roman type, antedating the classic style, is constructed of plain and re-enforced concrete throughout, with oak finish. The floors are of concrete, with plain and Terrazo finish. The walls and roof are of concrete, the exterior being finished with white Portland cement, stippled, which produces a very pleasing effect.

The main part of the building is occupied by the general waiting room, women’s and men’s, waiting room and ticket office. The structure is two stories in height. The north wing provides express and baggage room, the south wing being occupied by dining room and lunch and kitchen. All modern equipment is to be installed, and the station is to be ready for use within a few weeks, although the completion of the train sheds, the round house, and other structures and equipment will require a much longer time.”

The future of the depot was bright in the first month of 1911 and the months ahead promised its completion. At the same time, Joplin continued its advancement as a city bursting with pride and progress.

Tune in for fifth and final installment of the history of the Joplin Union Depot in the near future!

Kansas City Bottoms: Part II

A portion of the Kansas City Bottoms was leveled to make way for the new Union Depot station (left side of photo).

As time passed and mining operations relocated across the area, the Kansas City Bottoms was transformed as “a few factories and mills” dotted the valley and its hillsides. Although there was talk that the Kansas City Southern Railway would build rail shops in the bottoms, the project never came to fruition.

This led to an effort to “more or less isolate the city’s riff-raff of humanity there. It became a sort of ‘red-light’ district, and flourished with gayety, containing gambling houses, saloons, dance halls, and rooming houses.” As Joplin continued to grow, the area grew more desolate, and “buildings were moved, burned, or fell in ruins.” The Kansas City Bottoms soon became a sprawling slum that doubled as a dumping ground. At the turn of the century, an angry mob descended upon the Bottoms and chased out a number of prostitutes who had taken up residence there. Soon the area became populated with African Americans, some of whom had been chased out of Pierce City in 1901, after a brutal race riot ended in the expulsion of Pierce City’s black residents.

A lifelong Joplin resident shared her memories of the Bottoms in a letter to the Joplin Globe:

“Where the [Union Depot] station is now and scattered throughout the valley were shanties occupied mostly by colored folk. This place was known as the Kansas City Bottoms. There was a footbridge over Joplin Creek near where the Union Station is now. Rather than walk around to Broadway, for four years I walked through the Bottoms and came onto Main Street at about A Street on my way to high school.”

“A girl or woman did not dare to cross the Bottoms without an escort. It was not even safe for a man,” the woman continued, “My boyfriend who later became my husband lived on the West side and he never crossed without a weapon. There were often holdups and sometimes murder in the Bottoms. There was no Broadway viaduct then.”

One former Joplin police officer claimed that “policemen were virtually given orders ‘not to bring any of the ‘bottomites’ out.’” This reportedly meant that a police officer should “shoot at the least provocation and shoot to kill.”

Burt Brannon, Joplin Police Officer

Officer Bert Brannon

Charles Sweeney, Joplin Police Officer

Charles Sweeney

These reputed orders presumably came after the death of Officers James Sweeney and Bert Brannon in 1901 after they were shot and mortally wounded after arresting a gang of vagrants in the Kansas City Southern rail yard and the death of Officer Theodore Leslie who was killed in 1903 while searching the rail yard for a burglary suspect. In 1909, work began on the Third Street viaduct, which spanned the Bottoms to connect East and West Joplin. (To Learn more about the Third Street Viaduct – click here) A year later, work began on the Joplin Union Depot, and a portion of the Kansas City Bottoms was leveled to make way for the expanded railyards and station. (To learn more about the leveling of the Bottoms for the Depot, click here)

By 1915, the condition of the Kansas City Bottoms was as close to a living hell as one could find in Joplin. One account painted a bleak picture of life in the bottoms: “Squatters, trash and garbage haulers, tramps and other transients” moved into the bottoms, living in shacks, shanties, broken down wagons, and tents. Men, women, and children lived in abject poverty. Few outsiders dared enter the bottoms as it had a reputation as, “a most dangerous place. It hardly was safe for a person to enter in daylight. After dark, entry into the hollow by an outsider was practically synonymous with suicide.”

That same year, however, the Kansas City Bottoms would experience a significant transformation for the first time since Sergeant first struck lead.

The Kansas City Bottoms: Part I

Landreth Park Joplin MIssouri
The north end of Joplin’s Main Street is quiet today. The Joplin Union Depot sits abandoned, visited only by aspiring graffiti artists and the historically curious, hoping to catch a glimpse of Joplin’s glory days in the weathered, intricate designs of architect Louis Curtiss. With the arrival of winter, Landreth Park is empty, save for the urban wildlife that call it home. Joplin Creek, the one constant in the ever changing landscape over the last one hundred years, remains. If only its silent waters could tell stories of the contentious rivalry between East and West Joplin, the mining operations that clouded its waters, and of the numerous families who lived in dire poverty along its banks in what was once known as the “Kansas City Bottoms.”

The name Kansas City Bottoms, according to one source, was derived from the Kansas City Southern Railway. Dolph Shaner, however, argued that the name “Kansas City Bottoms” came about because, “Kansas City and Independence, Missouri, capitalists, headed by John H. Taylor, purchased 120 acres of land extending from Fourth Street north three-fourths of a mile along Joplin Creek. The land being owned by Kansas City men, the valley at that point was dubbed ‘Kansas City Bottoms.’”

Attorney Clark Claycroft was one of Joplin’s earliest residents. Toward the end of his life he recalled that, “[John B.] Sergeant made the first big strike of lead ore in Kansas City bottoms, near the mouth of what now is known as Sunshine Hollow.” Veteran well driller Perry Crossman provided more detail, stating in an interview, “Late in the fall of 1871, I made a contract with John H. Taylor of the Joplin Mining and Smelting Company to drill a hole in a pump shaft in the Kansas City Bottoms. Charles Glover, now with the Joplin Globe, drew up the contract for Taylor and myself. That was the first hole ever put down to make a test for ore, and it ended in limestone.”

The area quickly became a magnet for men who sought to make a fortune in the lead and zinc industry. The Joplin Creek valley became inundated with hundreds of would-be miners who lived in tents, constructed crude shanties, or slept out in the open to stay close to their prospective strike. Joplin resident Dolph Shaner remarked that where Landreth Park is now located, “there once existed many, many mine dumps; all are now filled, leveled, and covered with grass.”

As mining operations left the Joplin Creek valley and spread out across the region in search of rich lead and zinc deposits, one might think that story of the Bottoms was over. It was not. As the population grew, two rival entities, East and West Joplin, sprang into existence. The bottoms connected the main streets of East and West Joplin and soon turned into a battleground between young men who fought on behalf of their town’s honor. We will leave it to the reader to pick up a copy of Shaner’s book to read in detail about the fistfights and rivalries that took place.

Stay tuned for Part II of the Kansas City Bottoms…

A History of the Joplin Union Depot – Part III

Catch up on the history of the Joplin Depot’s origins with part one here and part two here.

The first view of the Union Depot which greeted the readers of the Joplin News Herald on March 1st

After the exciting publication of an architect’s drawing of the Union Depot on the first day of March, 1910, a debate may have erupted over the validity of the print.  The News Heraldon the 28th of March, in one of the first updates on the depot since the beginning of the month, confirmed the accuracy with the arrival of the official plans and specifications to the city engineer’s office.  The city engineer, J.B. Hodgdon, passed on the plans to several local contractor firms.  It was the hope that a local firm would offer a satisfactory bid, such as Dieter and Wenzel, located in nearby Carthage and a company responsible for raising many of Joplin’s most well known buildings.  Notably, the city planned to divide the construction process between building the depot structure and grading the land about the building.  The land in question, the Kansas City Bottoms, located between Main Street and the Kansas City Southern tracks and between Joplin Creek and Broadway, was to be leveled.

Two days later, the papers announced the appointment of E.F. Cameron as the local attorney for the Joplin Union Depot.  The announcement was accompanied by a firm statement that construction would start April 1.  In the meanwhile, the parties behind the depot had finalized the acquisition of properties within the desired realm of the depot and exploratory drilling had been done to ensure that no abandoned mines or “drifts” threatened to destabilize the foundation of the future depot.  Indeed, the drilling had discovered solid limestone on average fifteen to twenty feet below the surface, and in some cases, even closer.  Already, some of the uneven parts of the Kansas City Bottoms had been filled by the railroads to allow future track to be on level with existing rails.

The site of the depot had once been the center of many mining attempts like the one above in the early days of Joplin, leaving many abandoned mines behind.

Six bids were submitted for the excavation, which required the removal of approximately 40,000 yards of dirt, and the Joplin firm Jennings & Jenkins was awarded the contract.   “I will begin work,” declared W. F. Jenkins on Saturday, April 2, 1910, “with a full crew on the excavation on Monday.”  Nine bids, two from Joplin area firms, were submitted for the construction of the depot structure.  However, the selection of the firm was considered more important than excavation, and demanded a meeting of the chief engineers of the Missouri, Kansas & Texas, the Santa Fe, and the Missouri and Northern Arkansas, railroads.  The architect, Louis Curtiss, available at the time of the bid announcement, promised that Joplin’s depot would be the most beautiful in construction, the most complete and convenient of any depot of the size in the United States.  Indeed, Curtis noted, specifications called for “handsome interior furnishings and the most substantial exterior known.”

On the following Monday morning, a small force of men with three to four teams of horses arrived and began the work of excavation.  The number of overall men expected to work varied from as little as fifty to four times that number, with as many four times the starting number of teams of horses.  Afterward, it was reported that before rain brought an end to the day’s labor that fifty men with fifteen teams had been brought to bear against the earth.

The delay in selecting a contractor to build the depot structure was not critical, as all reports stated that such construction could not begin until the grading was complete.  It was to be no small feat of work transforming the hilly area that offered a home to Joplin Creek into a suitable home for the new Joplin Depot.  In contrast to the 40,000 yards of dirt discussed earlier, Jennings & Jenkins instead claimed they only had to remove 30,000 yards of soil.  However, 135,000 yards of soil was required as fill, the present earth apparently being inappropriate for the task, and all of it to be hauled in by train.

The News Heraldsummarized the task ahead, “The hill along Broadway and Main street will be cut down and the dirt moved back onto the lower grounds.  These hills will be cut down to a level of the grades of the streets and the fill along the Kansas City Southern railroad will be made on level with the tracks…The hill north of the Old Joplin creek bed will also be cut down and the dirt hauled into the low places.”  Hills were not the only landmarks that needed cutting down, the paper referred almost in afterthought to, “Several buildings will have to be removed from the grounds during the next few days and a force of men will be set to work tearing them away and burning the rubbish.”  The several buildings were actually homes to “persons who have occupied houses on the site for many years who repeatedly within the past month have been ordered to move.”  No tolerance was given as the homes were to be destroyed as the excavation work approached them, not  even “if the occupants have not sought other quarters.”  The transformation of the Kansas City Bottoms was expected to take approximately two months.

Little of the old Kansas City Bottoms remains as it once was before the depot.

Only a few days after the start of the work, the excavators made a gruesome discovery three feet into the soil of the hill located along Broadway.  The Daily Globe reported, “The bones found are crumbled with age, and, although apparently whole when unearthed, fall to pieces when picked up; Their sizes are thought too large for small animals and too small for horses or cows, or other of the larger domestic beasts.”  Work came to a temporary stop as local residents were quizzed for knowledge of any remembered burials or graveyards.  None were recalled.  One such resident, who claimed to have prospected “all over the Kansas City Bottoms when a young man” had never heard of any burials.

The old prospector reminisced, “They might have been buried all right,” said he, “but it was not with the knowledge of the authorities or a permit from the coroner.  There was a killing down here almost every day in them times, and I suppose they had to bury the victims some way.”  The reporter of the Daily Globe noted that the majority of murders in the Bottoms were likely never reported, and the speculation that the excavators had discovered one unfortunate victim was very likely, an opinion shared by the Joplin police called to the scene.  However, the contractors “scoffed” at the idea, most likely out of fear of losing workers who, “showed unmistakable signs of nervousness when the discovery was made…Several declared they would not work if they were convinced they were digging up bones of human beings.”  Human remains or not, the excavation continued.

Another problem arose at approximately the same time as the excavators made their unpleasant discovery.  Nine bids had been submitted for the contract to build the depot structure and to the consternation of the railroads involved, all were considered too high.  The possibility of revising Curtiss’ design for the depot and re-opening the bidding process was proposed on April 8th.  Five days later, the decision was made to do so and bidding was opened again until the 18th.  The new bids were based on changes to the original design, contractor Fred Dieter reported, changes that “will not in any way effect the exterior nor the general plans for the building,” but rather consisted of, “a few substitutions in material.”

By the time the bidding process was closed, only six bids had been made, down three from the previous nine.  A. F. Rust, the chief engineer for the Kansas City Southern, promised that the new bids all appeared to be a much more satisfactory in estimated costs.  A week, the chief engineer promised, was as long as it would take for the winning bid to be selected.  Nearly two weeks later, on April 30th, an authoritative source promised that the winning bid would be announced in two days, in part to coincide with a meeting of the chief engineers of the four railroads which backed the union depot company.  By May 12th, James Edson, the president of the Kansas City Southern on a long distance telephone interview with a News Herald reporter, had to dismiss rumors that the depot was to be relocated to a 15th Street location.  In the same call, Edson declared that a meeting of the board of directors of the Joplin Depot Company in the later half of May would choose the winning contract.  Meanwhile, excavation continued with dynamite used to reduce a steep hill east of Main Street.
Joplin Union Depot
Finally, on June 5, a Sunday morning, it was announced that the Manhattan Construction Company of New York, with a branch office in Fort Smith, Arkansas, had been awarded the contract at an initial cost of $60,000.  Construction would begin, stated a representative for the company, no later than June 15.  The grading by the excavators was virtually completed, but the foundation of the building had not yet been begun.  The two city papers offered slightly different reports on the design of the building, the Herald claimed, “The trimmings will probably be of Carthage stone, according to the original plans,” along with brick and concrete, and the Daily Globe in turn stated, “The contract calls for the erection of a modern building, of reinforced concrete construction.”

Six days later, Rust visited the site of the future depot and promised again that the depot would be completed by the end of the year.  The chief engineer noted that already enough steel for four miles of track was at the site and that, “We intend to push operations as fast as possible,” and bragged, “only material of the highest grade will be put in the depot.  The station will be built with a view of accommodating Joplin when it is considerable larger than it is now.  In my opinion, and according to officers of the depot company, Joplin is one of the coming cities of the Southwest.”

By mid June, excavation work uncovered yet another discovery, zinc.  Within a week of the find, nearly a ton of the ore had been sold at a price of $23 a ton.  While the contractors considered applying the new found source of wealth toward the cost of construction, two men from the excavation crew were assigned to sort the soil. The quality of the ore was shortly considered rich enough that some of the men involved in its examination immediately organized a mining company, procured a lease to do the mining, and set upon the deposit.  The vein was found to be only a few feet beneath the soil, at least seven feet in depth, and in lieu of building a processing plant, the miners hauled away the dirt in wagons to nearby plants for processing to separate the zinc from the soil, as well any lead.  By August 4, the entrepreneurs had sold nearly $1,900 worth of lead and zinc, and were still at work at their enterprise.

A pile of processed "Jack" valued at $100,000.

The excavated area, located “near the heart of the old shallow diggings on Joplin creek” had once been the home of St. James hotel and also the “crimson lighted district.”   Old settlers, ever present to discuss such events, recalled the days when “the valley sloping off to the northeast resembled a bee hive.  Mines and miners were constantly working there.  Before many years had elapsed the ground looked like an overgrown pepper box.”  However, due to the presence of the hotel and other sordid activities, few thought to mine the area, or so the theory went.  The News Herald quipped, “If the owners of the new property do not see fit to construct their new depot they can mine.”

“Grading of site is nearly completed,” announced the Daily Globe, on June 16.  By the efforts of the excavators, the paper reported that “the hills to the north have been leveled, while many of the lower points have been filled and the surface rolled.”  Though, it took another four weeks to complete, the impact on the local geography was significant.  In addition to the annihilation of hills, the “surface of the ground has been lowered seven feet…in the higher places, and from that to two feet in the lowest parts.”  For the low parts of the depot area, fill was used to raise the surface from two to four feet.  Extreme summer heat, contractors claimed, was the culprit for the long delay in the completion of the excavation. The teams of excavators gone, the site absent of working men and horses, for a brief time was considered to possess an “absolute quiet.”

A visit to the site at the time would have revealed a number of temporary buildings built to house the materials needed to construct the depot.  The gathering of which had been ongoing for weeks.  Another significant addition, and alteration to the geography, was the culvert built to guide the waters of the Joplin creek under the Depot site.  When completed, the culvert was expected to be 631 feet long and possess a 6 foot radius.  Through it the creek named for the Methodist preacher, Harris Joplin, would eventually disappear from sight for a stretch of more than two football fields.  Nor was it the only effort to divert water, as a “great double aqueduct” was also being put into place to convey a stream from Main Street , built of concrete, it was two tubes each four feet in diameter and two hundred yards long.  When done, it was believed the aqueducts would be able to “convey a larger amount of water than has ever been seen in the little branch.”  The exit point for the aqueducts was in the area of the Kansas City southern bridge.

Off the site, at approximately the same time as excavation work was concluding, the Kansas City Southern filed a mortgage for the value of $500,000.  The mortgage was intended to secure the $500,000 in bonds that had previously been sold by the depot company to finance construction.  Nor was the Kansas City Southern the only railroad company involved with large sums of money.  The Missouri, Kansas & Texas, or Katy, Railroad was busy with the construction of a spur from its main line to reach the Depot at a cost of around $250,000.  Much of the cost had to do with traversing hollows and areas dotted with old mines and sludge ponds, which demanded the construction of bridges or the use of fill to stabilize the ground.  One such required bridge was to be located over Possum Hollow and would be a “22-panel pile trestle bridge” that would carry trains 47 feet above the floor of the ravine, and 30 feet above an existing bridge built by the Frisco Railroad.  Along with its own expense in the cost of terminals at the depot, it was estimated the Katy would ultimately spend $500,000.

While the Katy Railroad continued its investment into the depot, another railroad decided to investigate the possibility of joining the enterprise, the Frisco Railroad.  As covered earlier, the Frisco Railroad, through its interests in Joplin, had furiously attempted to stop passage of the union depot franchise by the city’s council.  However, almost two years had passed since its failed attempt and faced with a desire to expand its freight capabilities by the cheapest means necessary, the Frisco opted to further investigate the matter.  While the Frisco had a depot in Joplin, it believed that if it could direct its passenger traffic to the union depot, it could then enlarge its freight capabilities at the existing depot.  Despite reportedly being on of the largest landowners in the city of Joplin, the Frisco was having trouble parting Ralph Muir from the property he owned at the corner of 6th and Main Street, which it felt was needed were it to expand its passenger area.  The vice-president of the railroad, Carl Gray, promised a decision would be had in a couple weeks.  Ultimately, however, the Frisco did end up building a new depot, after it did finally acquired the coveted 6th Street and Main property.

The depot the Frisco later went on to built, still standing on Main Street Joplin today.

Meanwhile, as work concluded on the main excavation, on July 24, 1910, the Joplin Daily Globe, noted in a small article, far from the headlines of the front page, that the Manhattan Construction Company “Will Start Erection of Depot Tomorrow.”  Representatives of the company were to arrive on the 25th, along with a foreman, who’s task was to oversee approximately 25 men and the start of the foundation, which included the further excavation of fifty square feet for the new home of the depot’s heating apparatus.  The depot itself was finally under construction.

This Building Matters: Louis Curtiss’ Joplin Legacy

In the past we have written posts about the construction of Joplin’s Union Depot. Now we would like to celebrate the life and work of its architect, Louis Curtiss. Sadly, his legacy is in peril. Of the over 200 buildings and projects that Curtiss designed, only 34 remained in existence by 1991. Of the 34 buildings, 21 were in Kansas City. Joplin is incredibly fortunate to have the Union Depot among its built landscape. If you care about history, if you care about cultural memory, and if you care about historic preservation you can appreciate Curtiss and Joplin’s Union Depot.

A native of Belleville, Ontario, Canada, Curtiss arrived in Kansas City, Missouri in 1887 at the age of twenty-two. Throughout his career, Curtiss was an enigma. He never discussed his life, never married, never had children, and ordered that his personal papers be burned upon his death. Curtiss was an incredibly colorful character. He loved fast automobiles: he would often roar around the city in a Winton runabout which, at the time, reportedly topped out at an amazing 30 mph. He loved women; he cut his own hair; and claimed to have studied architecture at University of Toronto and the Ecole des Beaux-Arts in Paris, although historians have been unable to confirm this due to spotty recordkeeping.

Curtiss behind the wheel.

Curtiss briefly worked as a draftsman in the architectural firm of Adriance Van Brunt. He then left to form a partnership with Frederick C. Gunn. Together Curtiss and Gunn designed a large number of courthouses across the Midwest and South. The current courthouse for Henry County, Missouri, is a Curtiss and Gunn creation. Regrettably, the original tower on the courthouse was removed in 1969. The Curtiss and Gunn designed courthouse in Gage County, Nebraska, still has its original tower. The partners also designed courthouses in Tarrant County, Texas; Cabell County, West Virginia; and Rock Island County, Illinois (its roof dome was removed). Even more interesting, they designed St. Patrick’s Parish Catholic Church in Emerald, Kansas.

After ten years, Curtiss and Gunn went their separate ways. Curtiss traveled abroad and studied architecture, but eventually returned to Kansas City. He designed a private residence dubbed “Mineral Hall” which survives today on the campus of the Kansas City Art Institute. Curtiss designed other private residences and commercial buildings at this  time. Mineral Hall Link: http://en.wikipedia.org/wiki/Mineral_Hall Note that the doorway is Art Nouveau in style.

Curtiss’ Folly Theater (now the Standard) still stands in Kansas City after construction finished in 1900. You can read about its colorful history here.

While living in Kansas City, the young architect had the good fortune of meeting Bernard Corrigan, a fellow Canadian who was a partner in Corrigan Brothers Realty Company, and for fifteen years the two worked together on a variety of projects.

Curtiss’ first large project, the Baltimore Hotel, was commissioned by the Corrigan Brothers. The hotel was located in downtown Kansas City at the corner of 11th and Baltimore. It was later demolished in 1939. Curtiss’ next major commission was the Willis Wood Theater. Located next to the Baltimore Hotel, the two were connected by a tunnel that was nicknamed “highball alley.” The theater was destroyed by fire in 1917. One of Curtiss’ residential masterpieces, the Bernard Corrigan House, still stands today. The house is a mesmerizing blend of Prairie, Arts and Craft, and Art Nouveau features. You can view pictures here and also here, too.

Curtiss established another fruitful partnership, although it was not with an individual, but with a company: The Santa Fe Railroad. Curtiss designed depots and office buildings for the railroad company all over the United States. He subsequently began designing buildings for the Fred Harvey restaurant system. During this time, he designed the Clay County State Bank, which is now the Excelsior Springs City Museum.

As years passed, he continued to design railroad depots, hotels, and private residences. In 1910, work began on Joplin’s Union Depot, a Curtiss creation. He also designed Union Station in Wichita, Kansas, which had survived the years since its completion in 1913. Interestingly, he designed the “Studio Building” to serve as his studio. Curtiss lived in an apartment in the building which coincidentally adjoined a burlesque theater. According to one individual who was interviewed years later about Curtiss, there was a balcony entry into the theater accessible only through Curtiss’ apartment, through which he could attend performances.

Beginning in 1914, Curtiss fell upon hard times. Many of his major clients began to pass away and the demands of World War One upon American society made new construction grind to a halt. Curtiss’ architectural style fell out of favor as new and reinvigorated styles became popular. He did achieve success with his work in the Westheight Manor subdivision of Kansas City, but he never regained his pre-war popularity. One of the residences he built in Westheight Manor is the stunning Jesse Hoel home:  Historical Survey of the Westheight Manor Subdivision and  Flickr Photo of the Hoel residence.

Another Westheight Manor home Curtiss designed was that of Norman Tromanhauser.

By 1921, Curtiss ceased to produce new architectural designs. Within a few years, on June 24, 1924, he died in his studio at his drawing board at the age of fifty-four. He was buried alone in Mount Washington Cemetery

Louis Curtiss, creator of the Joplin Union Depot

 

The Joplin Union Depot matters.

This Place Matters.

 

Sources: Stalking Louis Curtiss by Wilda Sandy and Larry K. Hancks, Kansas City Public Library, Others.