Current Prospects for the Union Depot

Joplin Union Depot

A hotly debated issue silenced by the tornado of 2011, the restoration of Joplin’s Union Depot has quietly started to filter back into the conversation of the city’s future.  While the previous discussion was focused on turning the depot into a new home for the Joplin Museum Complex, an idea that the governing boards of the JMC were reluctantly being dragged toward accepting, the new round of talks has removed the JMC from the equation.  SPARK is the word now, “Stimulating Progress through Arts, Recreation and Knowledge of the Past,” which is part of the current plan by the city and Wallace Bajjali Development Partners to turn north downtown Joplin into a center for arts and recreation.

As recent articles in the Globe have stated, the new plan for the Union Depot is to renovate it as a home for restaurants, not for the museum.  In the current budget of the Master Plan, the city voted in late December, 2012, for the creation of a TIF district which would pay for some of the redevelopment projects,  to set aside “$68 million for a performing and visual arts center and Union Depot restoration…”   If you were wondering about the JMC, in the same process, money was planned to build a completely new museum home which would be somewhere in the vicinity of north Main Street.

Here at Historic Joplin, while we championed the move of the JMC to the depot, we are just as satisfied with this new idea so long as its implemented and one of Joplin’s most valuable architectural jewels is preserved for future generations.

To learn more about the Union Depot, read our five part history of the depot here: Part I, Part II, Part III, Part IV, and Part V.

The architectural drawing of the Depot.

Elliot Raines Moffett

On a fall day six years after the end of the Civil War, two men began digging a shaft on a hill near Joplin Creek in southern Jasper County, Missouri. Lured to the location by stories of lead lying as shallow as the roots of the prairie grasses, the two men, Elliot Raines Moffett and John B. Sergeant struck figurative gold and from those first few spadefuls of dirt the city of Joplin was established, as well their riches.

A native Iowan, Moffett was forty-three years old when his prospecting brought him to Jasper County. He and Sergeant had initially setup in the area of Oronogo, then known as Minersville, and acquired a mining interest in the vicinity of land owned by John C. Cox, a Tennessean who had arrived in the area years earlier. The lead strike, forty feet down, quickly led Moffett and Sergeant to build the first lead smelting furnace north of present day Broadway and on the banks of Joplin Creek. The smelter was not the only “first” that Moffett and his partner brought to the mining camp and later the city. In 1873, when the cities of Joplin and Murphysburg joined together to form Joplin, Moffett was the first mayor. In addition to building stores in the fledgling camp, he and Sergeant also opened one of the first banks at 315 Main Street and founded the Joplin & Girard Railroad completed in 1876 to connect the growing lead furnaces of the city to the Kansas coal fields. A second railroad to Pittsburg, Kansas, was completed and celebrated on July 4, 1876 with a golden spike driven into the earth at the Joplin depot. Later, Moffett sold his interest in the railroad and its right-away southward to the St. Louis and San Francisco Railway, also known as the Frisco, for a hefty $350,000. Not long after, Sergeant and Moffett opened up the White Lead Works which later became known as the Picher Lead Works.

It was prospecting which brought Moffett to the Joplin area, it was also that which led him to leave for Northwest Arkansas. In the belief that more incredible lead veins were waiting to be discovered in Arkansas, he prospected the hills around Bear Mountain. He found some lead, but not enough to make a second fortune. Instead, Moffett purchased hundreds of acres of land and went into the business of fruits and grapes. It was as a shepherd of orchards that Moffett spent the last years of his life until he passed away in February, 1904, in Crystal Springs, Arkansas.

Upon his death, one Joplin newspaper wrote of him:

“The announcement of his death spread rapidly over the city yesterday evening and many sincere expressions of regret were voiced, and the utterances were of that sincere character that indicate true regret – the regret that is always felt at the demise of a truly good citizen. The reason of this is very apparent when it is known that he was instrumental in building the first schools and the first churches, and was a willing contributor to many movements for the city’s welfare.”

A History of the Joplin Union Depot – Part IV

Catch up on the previous installments of a History of the Joplin Union Depot with Part 1, Part 2, and Part 3.

Joplin Union Depot

By mid-August a concrete mixer had been put to work at the site of the depot. The concrete it produced was immediately used to build piers sunk into the earth upon which the rest of the foundation and depot structure was to be supported. The workers, twenty teams in all, enjoyed unsually cool weather and as a result, progress delayed by earlier heat, pushed forward rapidly. Placed about the construction area were multiple piles of gravel, lumber and other construction material. Despite the mostly finished job of leveling the Kansas City Bottoms, the actual depot site was still undergoing a lowering of high places and a raising of low places.

Officials were optimistic over the progress being made throughout the month of August and “expressed every confidence of its [the depot] completion before midwinter.” Indeed, as smooth as the work had become, the depot was expected to be completed by the spring of 1911. All seemed to be in place, the material, and ever more men, Joplin men, the papers noted, were being hired. The laying of the corner stone was estimated to happen at the start of October.

At the same time, not far from the construction site, a Kansas City Southern engine and flat car were put to use in laying down tracks for the new rail yard. The track laying continued elsewhere with spurs built that extended to Broadway, as well to the electric railway that linked to the trolley systems of Joplin and Southwest Missouri. Another train put to work in the construction phase was made up of ten “dump cars” pulled by “the latest types of heavy locomotives.” A newspaper described the process, “Train, engines and all were put to work at once hauling dirt from the steam shovel, working southeast of town to the site of the yards.” At the yards, the soil was used to permanently flatten out the area of the tracks. As with the depot, itself, everything was progressing quickly.

The process continued into September. The location southeast of town, identified now as Saginaw, continued to supply dirt for the yards in trip after trip by the dump cars. The supplied dirt was then driven over by an engine leveler to flatten it further. The yards also demanded other sacrifices of the land, as a bluff just south of a North Main Street bridge was dynamited on a daily basis to make room for further yard space. By the 6th of September, the bluff was gone, as well numerous trees, shrubs, and odd pieces of trash, cleaned from the Bottom space between Main Street and the Kansas City Southern tracks. Thus, it was a surprise a few days later when at 8 AM on a Friday morning, the entirety of the carpentry crew, twenty-eight men in all, walked off the job.

The strike was in reaction to the failure of the contractors to hire union hod carriers. Hod carriers had the specific task of carrying supplies to bricklayers, plasterers, and other similar jobs around a construction site. Prior to the start of construction, an agreement, likely informal, had been made to use only union men on the building of the depot, itself. The carpenters, who had “quietly laid down their hammers and tools and quit the building,” were members of the Building Trades Council. Rumors were gossiped that the contractors intended to have an “open” shop at the depot site, the intention to hire non-union men, and therefore, avoid having to follow the regulations and rules that local unions demanded. The contractors, meanwhile, claimed that there were simply not enough union hod carriers available due to other construction efforts in Joplin.

A photograph of a hod carrier from the Library of Congress. These men played the important role of transporting required building materials to the craftsmen.

The head of the union’s local chapter, Albert H. Monteith, stated, “When the carpenters went to work on the depot it was their understanding that the whole job would be unionized…we went to work on this job a little over two weeks ago, well aware of the fact that some non-union labor was being used, but we were under the impression that our contentions would be met without delay and we would have as fellow workmen nothing but union men.” Monteith went on to add of the superintendent of the build, “[he] knew what action would take if he failed to take steps toward unionizing the whole job, and we gave him nearly three weeks in which to do his part, but when it became evident today that he would not recognize the union hod-carriers and other union building laborers, we quit.”

Monteith noted that union men were used at other construction sites of the Manhattan Construction Company, and if needed, they would undoubtedly strike in support of their Joplin brethren. The seriousness of the strike was great enough to stir rumors that the president of the company himself, President Looman, was on a train for Joplin to speak with the union men. If the president of the company visited Joplin, the papers failed to note his coming and going, but the strike did end approximately a week after it began. The resolution arrived when both parties came together and agreed that the conflict was in essence, a misunderstanding. The work reserved for union men would be reserved for union men, and the work done by non-union men would be done by non-union men. The clock was turned back pre-strike and all efforts once again pushed toward the completion of the depot.

A sense of urgency to complete the depot before the partnership of railroads laid the last of their tracks into the depot area became stronger as September came to a conclusion. An article published at the time looked ahead to its completion and touched upon its future beauty, “The architecture is of the mission style, and when completed the depot undoubtedly will be one of the handsomest, as well as one of the most unique structures of the kind in the country.” Flower beds and grass were to be noted improvements for the space between the depot and the nearest street. Its construction, reinforced concrete, the paper claimed, “is considered better building material than steel.” By the end of October it was hoped that the carpenters who had recently gone on strike would be at work on the interior.

Tower of Union Depot

The depot since it's construction has always had one apparent tower, featured here. It may be the two towers described were upon completion formed into one larger tower.

October was also a time of great focus on the innovative use of reinforced concrete. The work of building with the new material had been virtually completed in the basement, as well the exterior walls of the ground and second floors. 30 to 40 days, it was claimed, would be all it would take to finish the cement work at the depot. 40 days later, the focus was no longer on the cement, but two “massive towers” being erected above the depot. The work, described as, “exceedingly dangerous” involved the raising of huge frameworks of scaffolding to ensure success. The construction of the depot at that point in November 1910 involved the labor of over 300 men.

Work continued uninterrupted through November and December until bitter winter weather brought construction to a sudden halt in the first week of 1911. In addition to cold weather, that January brought the annual special edition from the Joplin News Herald, which took time to extoll the construction of the depot. “Erection of $90,000 Union Depot Transforms Topography of Dreary Sweep of Land in Kansas City Bottoms,” read the headline along with a copy of the architect’s rendering of the depot from the year before. In its braggadocio of the depot’s transformation, the article offers a glimpse of how Joplin saw the Kansas City Bottoms:

The architectural drawing of the Depot.

“Union Depot construction in Joplin has brought great change to the topographical appearance of a big acreage that for years was a dreary waste of abandoned mining gouges and slimy flat lands, the mire of the swamps growing rank with weeds and vines. One of the first steps in the grading of the union depot grounds, consisting of about 30 acres, was to change the course of Joplin Creek, an ill-smelling drainage channel, that twisted through the rank undergrowth, marking a zone of desolation through the very heart of the big tract which since has been filled in hundreds of thousands of cubic yards of earth and rock…”

“…Here, in the early days – and even later – twinkled the crimson lights of a mining camp’s tenderloin. For years and years this portion of the city was notorious, but with the coming of the union depot, every house, every shack – dilapidated on the exterior, but gorgeously furnished on the inside – every landmark that would remind one of the free and easy epoch of Joplin’s “North End” have been eradicated.”

The article also offered a description of the new area and what it meant to Joplin:

“Today the lower portion of the union depot grounds, where the station, the sheds, the turntable and the shops will be located, is as level as a checker board and as red as an orange, the fresh red clay, when viewed from a distance, resembling a soft velvet rug of mammoth dimensions. The ground slopes upward to Main street on the west and to Broadway on the south…”

“Joplin can hardly realize that the union depot is at last a reality. For years the city had dreamed of a union depot, but it seemed an endless period before the first spadeful of earth was turned. Since work started, however, progress has been swift and a big force of workmen has been employed steadily. The ring of the hammer has been constant.”

And finally, a full description of the depot’s beauty and attributes:

“ The station proper, which is of old Roman type, antedating the classic style, is constructed of plain and re-enforced concrete throughout, with oak finish. The floors are of concrete, with plain and Terrazo finish. The walls and roof are of concrete, the exterior being finished with white Portland cement, stippled, which produces a very pleasing effect.

The main part of the building is occupied by the general waiting room, women’s and men’s, waiting room and ticket office. The structure is two stories in height. The north wing provides express and baggage room, the south wing being occupied by dining room and lunch and kitchen. All modern equipment is to be installed, and the station is to be ready for use within a few weeks, although the completion of the train sheds, the round house, and other structures and equipment will require a much longer time.”

The future of the depot was bright in the first month of 1911 and the months ahead promised its completion. At the same time, Joplin continued its advancement as a city bursting with pride and progress.

Tune in for fifth and final installment of the history of the Joplin Union Depot in the near future!

A History of the Joplin Union Depot – Part III

Catch up on the history of the Joplin Depot’s origins with part one here and part two here.

The first view of the Union Depot which greeted the readers of the Joplin News Herald on March 1st

After the exciting publication of an architect’s drawing of the Union Depot on the first day of March, 1910, a debate may have erupted over the validity of the print.  The News Heraldon the 28th of March, in one of the first updates on the depot since the beginning of the month, confirmed the accuracy with the arrival of the official plans and specifications to the city engineer’s office.  The city engineer, J.B. Hodgdon, passed on the plans to several local contractor firms.  It was the hope that a local firm would offer a satisfactory bid, such as Dieter and Wenzel, located in nearby Carthage and a company responsible for raising many of Joplin’s most well known buildings.  Notably, the city planned to divide the construction process between building the depot structure and grading the land about the building.  The land in question, the Kansas City Bottoms, located between Main Street and the Kansas City Southern tracks and between Joplin Creek and Broadway, was to be leveled.

Two days later, the papers announced the appointment of E.F. Cameron as the local attorney for the Joplin Union Depot.  The announcement was accompanied by a firm statement that construction would start April 1.  In the meanwhile, the parties behind the depot had finalized the acquisition of properties within the desired realm of the depot and exploratory drilling had been done to ensure that no abandoned mines or “drifts” threatened to destabilize the foundation of the future depot.  Indeed, the drilling had discovered solid limestone on average fifteen to twenty feet below the surface, and in some cases, even closer.  Already, some of the uneven parts of the Kansas City Bottoms had been filled by the railroads to allow future track to be on level with existing rails.

The site of the depot had once been the center of many mining attempts like the one above in the early days of Joplin, leaving many abandoned mines behind.

Six bids were submitted for the excavation, which required the removal of approximately 40,000 yards of dirt, and the Joplin firm Jennings & Jenkins was awarded the contract.   “I will begin work,” declared W. F. Jenkins on Saturday, April 2, 1910, “with a full crew on the excavation on Monday.”  Nine bids, two from Joplin area firms, were submitted for the construction of the depot structure.  However, the selection of the firm was considered more important than excavation, and demanded a meeting of the chief engineers of the Missouri, Kansas & Texas, the Santa Fe, and the Missouri and Northern Arkansas, railroads.  The architect, Louis Curtiss, available at the time of the bid announcement, promised that Joplin’s depot would be the most beautiful in construction, the most complete and convenient of any depot of the size in the United States.  Indeed, Curtis noted, specifications called for “handsome interior furnishings and the most substantial exterior known.”

On the following Monday morning, a small force of men with three to four teams of horses arrived and began the work of excavation.  The number of overall men expected to work varied from as little as fifty to four times that number, with as many four times the starting number of teams of horses.  Afterward, it was reported that before rain brought an end to the day’s labor that fifty men with fifteen teams had been brought to bear against the earth.

The delay in selecting a contractor to build the depot structure was not critical, as all reports stated that such construction could not begin until the grading was complete.  It was to be no small feat of work transforming the hilly area that offered a home to Joplin Creek into a suitable home for the new Joplin Depot.  In contrast to the 40,000 yards of dirt discussed earlier, Jennings & Jenkins instead claimed they only had to remove 30,000 yards of soil.  However, 135,000 yards of soil was required as fill, the present earth apparently being inappropriate for the task, and all of it to be hauled in by train.

The News Heraldsummarized the task ahead, “The hill along Broadway and Main street will be cut down and the dirt moved back onto the lower grounds.  These hills will be cut down to a level of the grades of the streets and the fill along the Kansas City Southern railroad will be made on level with the tracks…The hill north of the Old Joplin creek bed will also be cut down and the dirt hauled into the low places.”  Hills were not the only landmarks that needed cutting down, the paper referred almost in afterthought to, “Several buildings will have to be removed from the grounds during the next few days and a force of men will be set to work tearing them away and burning the rubbish.”  The several buildings were actually homes to “persons who have occupied houses on the site for many years who repeatedly within the past month have been ordered to move.”  No tolerance was given as the homes were to be destroyed as the excavation work approached them, not  even “if the occupants have not sought other quarters.”  The transformation of the Kansas City Bottoms was expected to take approximately two months.

Little of the old Kansas City Bottoms remains as it once was before the depot.

Only a few days after the start of the work, the excavators made a gruesome discovery three feet into the soil of the hill located along Broadway.  The Daily Globe reported, “The bones found are crumbled with age, and, although apparently whole when unearthed, fall to pieces when picked up; Their sizes are thought too large for small animals and too small for horses or cows, or other of the larger domestic beasts.”  Work came to a temporary stop as local residents were quizzed for knowledge of any remembered burials or graveyards.  None were recalled.  One such resident, who claimed to have prospected “all over the Kansas City Bottoms when a young man” had never heard of any burials.

The old prospector reminisced, “They might have been buried all right,” said he, “but it was not with the knowledge of the authorities or a permit from the coroner.  There was a killing down here almost every day in them times, and I suppose they had to bury the victims some way.”  The reporter of the Daily Globe noted that the majority of murders in the Bottoms were likely never reported, and the speculation that the excavators had discovered one unfortunate victim was very likely, an opinion shared by the Joplin police called to the scene.  However, the contractors “scoffed” at the idea, most likely out of fear of losing workers who, “showed unmistakable signs of nervousness when the discovery was made…Several declared they would not work if they were convinced they were digging up bones of human beings.”  Human remains or not, the excavation continued.

Another problem arose at approximately the same time as the excavators made their unpleasant discovery.  Nine bids had been submitted for the contract to build the depot structure and to the consternation of the railroads involved, all were considered too high.  The possibility of revising Curtiss’ design for the depot and re-opening the bidding process was proposed on April 8th.  Five days later, the decision was made to do so and bidding was opened again until the 18th.  The new bids were based on changes to the original design, contractor Fred Dieter reported, changes that “will not in any way effect the exterior nor the general plans for the building,” but rather consisted of, “a few substitutions in material.”

By the time the bidding process was closed, only six bids had been made, down three from the previous nine.  A. F. Rust, the chief engineer for the Kansas City Southern, promised that the new bids all appeared to be a much more satisfactory in estimated costs.  A week, the chief engineer promised, was as long as it would take for the winning bid to be selected.  Nearly two weeks later, on April 30th, an authoritative source promised that the winning bid would be announced in two days, in part to coincide with a meeting of the chief engineers of the four railroads which backed the union depot company.  By May 12th, James Edson, the president of the Kansas City Southern on a long distance telephone interview with a News Herald reporter, had to dismiss rumors that the depot was to be relocated to a 15th Street location.  In the same call, Edson declared that a meeting of the board of directors of the Joplin Depot Company in the later half of May would choose the winning contract.  Meanwhile, excavation continued with dynamite used to reduce a steep hill east of Main Street.
Joplin Union Depot
Finally, on June 5, a Sunday morning, it was announced that the Manhattan Construction Company of New York, with a branch office in Fort Smith, Arkansas, had been awarded the contract at an initial cost of $60,000.  Construction would begin, stated a representative for the company, no later than June 15.  The grading by the excavators was virtually completed, but the foundation of the building had not yet been begun.  The two city papers offered slightly different reports on the design of the building, the Herald claimed, “The trimmings will probably be of Carthage stone, according to the original plans,” along with brick and concrete, and the Daily Globe in turn stated, “The contract calls for the erection of a modern building, of reinforced concrete construction.”

Six days later, Rust visited the site of the future depot and promised again that the depot would be completed by the end of the year.  The chief engineer noted that already enough steel for four miles of track was at the site and that, “We intend to push operations as fast as possible,” and bragged, “only material of the highest grade will be put in the depot.  The station will be built with a view of accommodating Joplin when it is considerable larger than it is now.  In my opinion, and according to officers of the depot company, Joplin is one of the coming cities of the Southwest.”

By mid June, excavation work uncovered yet another discovery, zinc.  Within a week of the find, nearly a ton of the ore had been sold at a price of $23 a ton.  While the contractors considered applying the new found source of wealth toward the cost of construction, two men from the excavation crew were assigned to sort the soil. The quality of the ore was shortly considered rich enough that some of the men involved in its examination immediately organized a mining company, procured a lease to do the mining, and set upon the deposit.  The vein was found to be only a few feet beneath the soil, at least seven feet in depth, and in lieu of building a processing plant, the miners hauled away the dirt in wagons to nearby plants for processing to separate the zinc from the soil, as well any lead.  By August 4, the entrepreneurs had sold nearly $1,900 worth of lead and zinc, and were still at work at their enterprise.

A pile of processed "Jack" valued at $100,000.

The excavated area, located “near the heart of the old shallow diggings on Joplin creek” had once been the home of St. James hotel and also the “crimson lighted district.”   Old settlers, ever present to discuss such events, recalled the days when “the valley sloping off to the northeast resembled a bee hive.  Mines and miners were constantly working there.  Before many years had elapsed the ground looked like an overgrown pepper box.”  However, due to the presence of the hotel and other sordid activities, few thought to mine the area, or so the theory went.  The News Herald quipped, “If the owners of the new property do not see fit to construct their new depot they can mine.”

“Grading of site is nearly completed,” announced the Daily Globe, on June 16.  By the efforts of the excavators, the paper reported that “the hills to the north have been leveled, while many of the lower points have been filled and the surface rolled.”  Though, it took another four weeks to complete, the impact on the local geography was significant.  In addition to the annihilation of hills, the “surface of the ground has been lowered seven feet…in the higher places, and from that to two feet in the lowest parts.”  For the low parts of the depot area, fill was used to raise the surface from two to four feet.  Extreme summer heat, contractors claimed, was the culprit for the long delay in the completion of the excavation. The teams of excavators gone, the site absent of working men and horses, for a brief time was considered to possess an “absolute quiet.”

A visit to the site at the time would have revealed a number of temporary buildings built to house the materials needed to construct the depot.  The gathering of which had been ongoing for weeks.  Another significant addition, and alteration to the geography, was the culvert built to guide the waters of the Joplin creek under the Depot site.  When completed, the culvert was expected to be 631 feet long and possess a 6 foot radius.  Through it the creek named for the Methodist preacher, Harris Joplin, would eventually disappear from sight for a stretch of more than two football fields.  Nor was it the only effort to divert water, as a “great double aqueduct” was also being put into place to convey a stream from Main Street , built of concrete, it was two tubes each four feet in diameter and two hundred yards long.  When done, it was believed the aqueducts would be able to “convey a larger amount of water than has ever been seen in the little branch.”  The exit point for the aqueducts was in the area of the Kansas City southern bridge.

Off the site, at approximately the same time as excavation work was concluding, the Kansas City Southern filed a mortgage for the value of $500,000.  The mortgage was intended to secure the $500,000 in bonds that had previously been sold by the depot company to finance construction.  Nor was the Kansas City Southern the only railroad company involved with large sums of money.  The Missouri, Kansas & Texas, or Katy, Railroad was busy with the construction of a spur from its main line to reach the Depot at a cost of around $250,000.  Much of the cost had to do with traversing hollows and areas dotted with old mines and sludge ponds, which demanded the construction of bridges or the use of fill to stabilize the ground.  One such required bridge was to be located over Possum Hollow and would be a “22-panel pile trestle bridge” that would carry trains 47 feet above the floor of the ravine, and 30 feet above an existing bridge built by the Frisco Railroad.  Along with its own expense in the cost of terminals at the depot, it was estimated the Katy would ultimately spend $500,000.

While the Katy Railroad continued its investment into the depot, another railroad decided to investigate the possibility of joining the enterprise, the Frisco Railroad.  As covered earlier, the Frisco Railroad, through its interests in Joplin, had furiously attempted to stop passage of the union depot franchise by the city’s council.  However, almost two years had passed since its failed attempt and faced with a desire to expand its freight capabilities by the cheapest means necessary, the Frisco opted to further investigate the matter.  While the Frisco had a depot in Joplin, it believed that if it could direct its passenger traffic to the union depot, it could then enlarge its freight capabilities at the existing depot.  Despite reportedly being on of the largest landowners in the city of Joplin, the Frisco was having trouble parting Ralph Muir from the property he owned at the corner of 6th and Main Street, which it felt was needed were it to expand its passenger area.  The vice-president of the railroad, Carl Gray, promised a decision would be had in a couple weeks.  Ultimately, however, the Frisco did end up building a new depot, after it did finally acquired the coveted 6th Street and Main property.

The depot the Frisco later went on to built, still standing on Main Street Joplin today.

Meanwhile, as work concluded on the main excavation, on July 24, 1910, the Joplin Daily Globe, noted in a small article, far from the headlines of the front page, that the Manhattan Construction Company “Will Start Erection of Depot Tomorrow.”  Representatives of the company were to arrive on the 25th, along with a foreman, who’s task was to oversee approximately 25 men and the start of the foundation, which included the further excavation of fifty square feet for the new home of the depot’s heating apparatus.  The depot itself was finally under construction.

This Building Matters: Louis Curtiss’ Joplin Legacy

In the past we have written posts about the construction of Joplin’s Union Depot. Now we would like to celebrate the life and work of its architect, Louis Curtiss. Sadly, his legacy is in peril. Of the over 200 buildings and projects that Curtiss designed, only 34 remained in existence by 1991. Of the 34 buildings, 21 were in Kansas City. Joplin is incredibly fortunate to have the Union Depot among its built landscape. If you care about history, if you care about cultural memory, and if you care about historic preservation you can appreciate Curtiss and Joplin’s Union Depot.

A native of Belleville, Ontario, Canada, Curtiss arrived in Kansas City, Missouri in 1887 at the age of twenty-two. Throughout his career, Curtiss was an enigma. He never discussed his life, never married, never had children, and ordered that his personal papers be burned upon his death. Curtiss was an incredibly colorful character. He loved fast automobiles: he would often roar around the city in a Winton runabout which, at the time, reportedly topped out at an amazing 30 mph. He loved women; he cut his own hair; and claimed to have studied architecture at University of Toronto and the Ecole des Beaux-Arts in Paris, although historians have been unable to confirm this due to spotty recordkeeping.

Curtiss behind the wheel.

Curtiss briefly worked as a draftsman in the architectural firm of Adriance Van Brunt. He then left to form a partnership with Frederick C. Gunn. Together Curtiss and Gunn designed a large number of courthouses across the Midwest and South. The current courthouse for Henry County, Missouri, is a Curtiss and Gunn creation. Regrettably, the original tower on the courthouse was removed in 1969. The Curtiss and Gunn designed courthouse in Gage County, Nebraska, still has its original tower. The partners also designed courthouses in Tarrant County, Texas; Cabell County, West Virginia; and Rock Island County, Illinois (its roof dome was removed). Even more interesting, they designed St. Patrick’s Parish Catholic Church in Emerald, Kansas.

After ten years, Curtiss and Gunn went their separate ways. Curtiss traveled abroad and studied architecture, but eventually returned to Kansas City. He designed a private residence dubbed “Mineral Hall” which survives today on the campus of the Kansas City Art Institute. Curtiss designed other private residences and commercial buildings at this  time. Mineral Hall Link: http://en.wikipedia.org/wiki/Mineral_Hall Note that the doorway is Art Nouveau in style.

Curtiss’ Folly Theater (now the Standard) still stands in Kansas City after construction finished in 1900. You can read about its colorful history here.

While living in Kansas City, the young architect had the good fortune of meeting Bernard Corrigan, a fellow Canadian who was a partner in Corrigan Brothers Realty Company, and for fifteen years the two worked together on a variety of projects.

Curtiss’ first large project, the Baltimore Hotel, was commissioned by the Corrigan Brothers. The hotel was located in downtown Kansas City at the corner of 11th and Baltimore. It was later demolished in 1939. Curtiss’ next major commission was the Willis Wood Theater. Located next to the Baltimore Hotel, the two were connected by a tunnel that was nicknamed “highball alley.” The theater was destroyed by fire in 1917. One of Curtiss’ residential masterpieces, the Bernard Corrigan House, still stands today. The house is a mesmerizing blend of Prairie, Arts and Craft, and Art Nouveau features. You can view pictures here and also here, too.

Curtiss established another fruitful partnership, although it was not with an individual, but with a company: The Santa Fe Railroad. Curtiss designed depots and office buildings for the railroad company all over the United States. He subsequently began designing buildings for the Fred Harvey restaurant system. During this time, he designed the Clay County State Bank, which is now the Excelsior Springs City Museum.

As years passed, he continued to design railroad depots, hotels, and private residences. In 1910, work began on Joplin’s Union Depot, a Curtiss creation. He also designed Union Station in Wichita, Kansas, which had survived the years since its completion in 1913. Interestingly, he designed the “Studio Building” to serve as his studio. Curtiss lived in an apartment in the building which coincidentally adjoined a burlesque theater. According to one individual who was interviewed years later about Curtiss, there was a balcony entry into the theater accessible only through Curtiss’ apartment, through which he could attend performances.

Beginning in 1914, Curtiss fell upon hard times. Many of his major clients began to pass away and the demands of World War One upon American society made new construction grind to a halt. Curtiss’ architectural style fell out of favor as new and reinvigorated styles became popular. He did achieve success with his work in the Westheight Manor subdivision of Kansas City, but he never regained his pre-war popularity. One of the residences he built in Westheight Manor is the stunning Jesse Hoel home:  Historical Survey of the Westheight Manor Subdivision and  Flickr Photo of the Hoel residence.

Another Westheight Manor home Curtiss designed was that of Norman Tromanhauser.

By 1921, Curtiss ceased to produce new architectural designs. Within a few years, on June 24, 1924, he died in his studio at his drawing board at the age of fifty-four. He was buried alone in Mount Washington Cemetery

Louis Curtiss, creator of the Joplin Union Depot

 

The Joplin Union Depot matters.

This Place Matters.

 

Sources: Stalking Louis Curtiss by Wilda Sandy and Larry K. Hancks, Kansas City Public Library, Others.

Miss Joplin Goes to Pittsburg

Lost with the once common sound of train whistles and train passage, was the inter-connectivity of Southwest Missouri.  A century ago, Joplinites who desired to go to Kansas, Oklahoma, or just nearby Carthage, could with the appropriate fare simply board one of the cars of the intercity railroad. While we will bring you more on the wonderful web of rails that brought Southwest Missouri, if not the Four State region together, below is a simple drawing illustrating the spirit of the day.  The connection of Joplin to Pittsburg, Kansas, was no small celebration.

Source: Joplin Globe

Joplin Union Depot Franchise

Earlier this week, we brought you the heated debate that surrounded the passage of the Union Depot franchise, also known as the Scullin franchise.   For those of you who’d like to see the elephant, rather than hear about its parts, we now provide you scans of the original franchise.   Click on the images to be taken to a flickr page where you can read them far more comfortably! [Then click "back" on your browser to return here.]  Thank you to those who helped us in getting a copy!

Page 1

Page Two

Page 3 - contains the perpetuity clause, the 2 year construction clause, and the controversial facilities clause.

Page 4

Page 5

Page 6 - concerns the demand that the Depot company help with 1/3 the cost of constructing viaducts

Page 7 - Note Mayor Jesse Osborne's signature

Source: City of Joplin City Archives

The Hobo Dog

In the past we’ve covered hoboes creating problems in Joplin, but this time we’ve found the story of a hobo dog. Brakemen and conductors who worked the run between Joplin and Mena, Arkansas, reported that a large Newfoundland dog was riding the rails. Although it was unknown if the dog jumped on the train in Mena, it was first noticed there “sneaking in and out of boxcars.” A brakeman, checking the cars for tramps, found the dog asleep in one of the cars and left it in peace. At the next stop, however, the dog was shooed off the train.
 
The dog, though, had other ideas and jumped unobserved back on board the train. At the next stop, however, the Newfoundland was once again discovered, and was put in charge of the stationmaster. Somehow the crafty dog managed to sneak away and jumped on board the next train. He was discovered by a porter who ushered him off the train. The dog could not be deterred and continued hopping trains until he was discovered in Neosho. A brakeman who had previously kicked the dog off a train in Arkansas was surprised to find the Newfoundland perched inside of a large furniture car. The brakeman decided to let the dog ride the train to Joplin.
 
As the engine pulled into Joplin, the dog began to bark, and once the train had stopped, it jumped from the car, and headed off to parts unknown. The Globe remarked, “It is the only incident of the kind that ever happened on the Kansas City Southern line, and perhaps the only one that ever did happen; and a dog that would have intelligence enough to ride in such a manner, instead of walking, should be highly valued by his master.”

As a present day aside, stray dogs in Moscow have also learned the benefits of riding the train.

Source: Joplin Globe